September 4, 2026 - Entertainment Post

Miley Cyrus Announces Bass Persuades and Hollywood Bowl Shows

Entertainment Post Staff 2 on September 4, 2026

Miley Cyrus has set September 18 for the release of Bass Persuades, her 10th studio album, while also scheduling two performances at Los Angeles’ Hollywood Bowl on October 16 and 18. The concerts will be her first full U.S. shows since 2021.

Key Takeaways

Miley Cyrus announced her 10th studio album, Bass Persuades.
The 10-track album is scheduled for release on September 18.
The album includes collaborations with Model/Actriz and Andrew Wyatt.
Cyrus will perform at Los Angeles’ Hollywood Bowl on October 16 and 18.
The performances will be her first full U.S. concerts since 2021.

Miley Cyrus Announces Bass Persuades

The new project gives Miley Cyrus a 10th studio album under her name. Bass Persuades is scheduled for release on September 18 and contains 10 tracks.

The album announcement is paired with Cyrus’ return to the Hollywood Bowl. She is scheduled to perform at the Los Angeles venue on October 16 and 18.

The album and concert dates establish two separate parts of Cyrus’ current music plans: a new recorded project arriving in September and live performances scheduled for October.

The September release will add another studio album to Cyrus’ discography. The project is identified as her 10th studio album, making the release a new recorded chapter in her music career.

Cyrus has also connected the album announcement with a return to full U.S. performances. Her Hollywood Bowl dates are scheduled several weeks after the album’s planned September 18 release.

Recent album announcements by major pop artists have similarly combined new recordings with broader performance plans, including Madonna’s upcoming studio album, which was announced earlier in 2026.

The two performances are scheduled at the same Los Angeles venue on separate October dates. The Hollywood Bowl dates are October 16 and October 18.

New Album Features 10 Tracks and Collaborations

Bass Persuades is planned as a 10-track album. The project includes collaborations with Model/Actriz and Andrew Wyatt.

The album track information includes the title song, “Bass Persuades,” as well as “Different Religion,” featuring Model/Actriz. Another listed track is “Let’s Get Married.”

“Orbit” is also included on the album, along with “Neon Signs,” featuring Andrew Wyatt of Miike Snow.

The collaborations give the 10-track project guest appearances from artists outside Cyrus’ solo billing. Model/Actriz is attached to “Different Religion,” while Andrew Wyatt is featured on “Neon Signs.”

The featured appearances are part of the album’s announced track details. They distinguish individual songs within the 10-track release while keeping Cyrus as the central artist on the project.

The album title is Bass Persuades, and its scheduled release date is September 18. The project is Cyrus’ 10th studio album.

The announcement also connects the new recording to Cyrus’ planned live performances. The Hollywood Bowl shows are scheduled for October, following the album’s September release date.

The combination of a new recording and live performances has also featured in other recent music coverage, including Kelly Clarkson’s latest music activity, which followed the end of her daytime television program with a new single and live work.

Bass Persuades Sets September Release Date

September 18 is the scheduled release date for Bass Persuades. The date places the album ahead of Cyrus’ two announced Hollywood Bowl performances in October.

The album is scheduled to arrive with 10 tracks. Its announced songs include “Bass Persuades,” “Different Religion,” “Let’s Get Married,” “Orbit” and “Neon Signs.”

“Different Religion” features Model/Actriz, while “Neon Signs” features Andrew Wyatt of Miike Snow.

The release gives listeners a full studio project rather than a single-song announcement. The album is identified as Cyrus’ 10th studio album, providing the central recorded-music development in her latest plans.

The September date also establishes the order of the announced schedule. Bass Persuades is due to arrive before the two Hollywood Bowl performances, which are set for October 16 and 18.

Cyrus’ new album therefore has both a defined release date and a defined live-performance schedule. The two elements form the core of the announced music plans.

The album’s 10-track format also provides a specific scope for the release. The confirmed collaborations with Model/Actriz and Andrew Wyatt add guest contributions to the project without changing its status as Cyrus’ 10th studio album.

Miley Cyrus Adds Two Hollywood Bowl Performances

Cyrus is scheduled to perform at the Hollywood Bowl on October 16 and October 18. Both performances are part of her announced return to full U.S. concerts.

The Los Angeles venue will host the two dates several weeks after the scheduled September 18 release of Bass Persuades. The performances therefore follow the arrival of the new album rather than preceding it.

The two-date schedule gives Cyrus consecutive opportunities to perform at the Hollywood Bowl during the October run. The announced dates are separated by one day, with the first performance scheduled for October 16 and the second on October 18.

The Hollywood Bowl is located in Los Angeles, making the performances a U.S. return for Cyrus. The dates are specifically identified as her first full U.S. concerts since 2021.

Cyrus’ planned appearances at the venue are distinct from isolated performances or individual appearances. The announcement identifies them as full U.S. concerts, with two dates confirmed at the Hollywood Bowl.

The performances also provide the live component of the current announcement. While Bass Persuades establishes Cyrus’ next studio release, the October dates establish when she will return to a full U.S. concert setting.

The schedule currently consists of the two Hollywood Bowl performances on October 16 and 18. Both dates are in Los Angeles.

Recent large-scale concert coverage has also included BTS’ U.S. stadium tour, providing a separate example of a major music act returning to U.S. live performance.

Hollywood Bowl Shows Mark U.S. Concert Return

The Hollywood Bowl performances will mark Cyrus’ first full U.S. concerts since 2021. That detail distinguishes the October dates from the album announcement and gives the live schedule a specific place in her recent performance history.

The two concerts are scheduled after the release of Bass Persuades. Cyrus is due to release the 10-track album on September 18 before appearing at the Hollywood Bowl on October 16 and 18.

The planned performances also return Cyrus to a major Los Angeles concert venue. The two announced dates keep the U.S. live schedule focused on the Hollywood Bowl rather than a broader list of tour stops.

No additional U.S. concert dates are established in the editorial blueprint. The confirmed schedule consists of the two Hollywood Bowl performances.

The album and performances consequently provide two defined dates for Cyrus’ upcoming music activity. September 18 is the scheduled release date for Bass Persuades, while October 16 and October 18 are the announced Hollywood Bowl performance dates.

The live dates also follow the release of Cyrus’ 10th studio album. The sequence places the new music first and the two Los Angeles performances afterward.

Cyrus’ current announcement therefore centers on a 10-track studio album and two full U.S. concerts. Bass Persuades is scheduled for September 18, while the Hollywood Bowl performances are scheduled for October 16 and 18.

Frequently Asked Questions

When is Miley Cyrus releasing Bass Persuades?

Miley Cyrus is scheduled to release Bass Persuades on September 18. The album is her 10th studio album and contains 10 tracks.

How many tracks are on Miley Cyrus’ new album?

Bass Persuades is a 10-track album. The announced track details include collaborations with Model/Actriz and Andrew Wyatt.

When is Miley Cyrus performing at the Hollywood Bowl?

Miley Cyrus is scheduled to perform at the Hollywood Bowl in Los Angeles on October 16 and October 18. The performances are her announced full U.S. concert dates.

Is Bass Persuades Miley Cyrus’ 10th studio album?

Yes. Bass Persuades is identified as Miley Cyrus’ 10th studio album and is scheduled for release on September 18.

When was Miley Cyrus’ last full U.S. concert?

The announced Hollywood Bowl performances are described as Miley Cyrus’ first full U.S. concerts since 2021.

The Perfect Storm Finds Strength in the Familiar on Maiden Voyage

Entertainment Post Staff on September 4, 2026

By: Evan R. Callahan

There is nothing particularly fashionable about The Perfect Storm’s Maiden Voyage, and that’s probably the point.

The Albany, New York trio of James Krakat, Matty Kirtoglou and Ethan Lynch isn’t trying to dismantle rock music and reconstruct it as some postmodern art project. There are no obvious attempts to chase whatever production trick is dominating streaming playlists this month. Instead, Maiden Voyage operates according to an older proposition: write songs with choruses people remember, play them as you mean them and trust that emotional directness still counts for something.

For the most part, that approach works.

The Perfect Storm occupies a broad stretch of territory between pop-rock, classic rock, Americana and alternative music. The boundaries aren’t especially important because the band’s identity comes less from genre than attitude. These are three grown men writing about love, disappointment, family, perseverance and the stubborn impulse to keep moving when life supplies perfectly reasonable arguments for quitting.

The record’s strongest moments emerge when the band doesn’t try to dress those subjects up.

“Magic Feeling” is built around nostalgia and recognition, reaching backward toward the emotional electricity of experiences that become more vivid in memory than they probably were while happening. It’s easy to understand why listeners have connected with it. The song doesn’t demand interpretation; it invites identification.

That accessibility helped propel The Perfect Storm to radio success, including three No. 1s connected with the Maiden Voyage era. Yet chart performance is less interesting than what happens after the promotional machinery stops. Does the song remain?

“Magic Feeling” makes a convincing case that it might.

“Lucky Guy” works from an equally familiar vocabulary. Romance is hardly unexplored territory in popular music, but originality of subject has never been the standard. There are only so many things human beings spend their lives worrying about, and songwriters have been recycling them for centuries. The challenge is making the familiar feel personal.

Krakat’s writing succeeds because he doesn’t appear embarrassed by sincerity. There’s no ironic escape hatch. When the song reaches for romance, it commits.

“My Woman Never Loved Me,” meanwhile, provides a useful counterweight. Its title announces a different approach before the first note arrives: heartbreak viewed from sufficient distance to recognize its absurdity.

That tonal flexibility matters. An entire album of earnest declarations can become exhausting, no matter how genuine the sentiment. The Perfect Storm understands that life rarely stays in one emotional register. Sometimes devastation eventually becomes the story you tell at the bar while everybody laughs.

Then comes material such as “The World That’s Cold,” where perseverance moves to the foreground. This is potentially dangerous territory. Songs about overcoming adversity can slide quickly into greeting-card philosophy.

The Perfect Storm generally avoids that trap because perseverance isn’t an abstract concept for these musicians. Their story is full of ordinary interruptions, family responsibilities, injuries, operations, and the basic logistical complications of maintaining a band while adulthood keeps demanding attention.

That context gives the optimism some weight.

It also explains why Maiden Voyage feels markedly different from the work of younger bands obsessed with becoming famous. The Perfect Storm sounds more interested in proving that making music remains worthwhile even when fame isn’t guaranteed.

The band’s internal chemistry reinforces that impression.

Krakat is described by his bandmates as the relentless optimist. Lynch occupies the more skeptical end of the spectrum, while Kirtoglou positions himself somewhere between them. It’s almost too tidy a metaphor: optimism, skepticism and pragmatism negotiating until a song emerges.

But that’s apparently how these recordings get made.

Material can originate with any member before being brought before the group. Ideas are expanded, challenged and reshaped. Kirtoglou compares songwriting to nurturing something until its individuality reveals itself.

The democratic approach leaves fingerprints throughout Maiden Voyage. It doesn’t feel like a singer-songwriter record with two hired musicians filling empty spaces. The arrangements suggest three people responding to one another.

That may ultimately be the album’s greatest asset.

The production is polished enough for contemporary radio but doesn’t erase the band’s human dimensions. Hooks remain central. Instruments retain some physical presence. The songs breathe rather than arriving compressed into anonymous digital perfection.

There are moments when Maiden Voyage could benefit from greater risk. Its devotion to traditional songcraft occasionally makes the record predictable, and the band’s instinct toward accessibility can keep it from pushing an idea into stranger territory.

Interestingly, The Perfect Storm seems aware of that.

The trio is already describing its second album as an expansion. New equipment, new ideas, and even an instrumental track are apparently entering the picture. Kirtoglou has said the band doesn’t want to “rest on your laurels,” and that’s precisely the right instinct.

Because Maiden Voyage succeeds as a beginning rather than a culmination.

It establishes the band’s values: friendship, craftsmanship, emotional accessibility, and persistence. It demonstrates that The Perfect Storm can connect with radio listeners without sounding constructed specifically for them. Most importantly, it establishes chemistry that can’t be manufactured by production software or marketing strategy.

The band’s members say they want this music to endure. That’s a considerably tougher achievement than reaching No. 1 on a chart.

But longevity starts with listeners finding pieces of their own lives inside somebody else’s songs.

On Maiden Voyage, The Perfect Storm has already discovered how to make that connection. The more interesting question is what they’ll risk now that they know people are listening.