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Tylden Is Finding His Own Lane in Alternative Pop With ‘Orbit’ and Upcoming Release ‘Houdini’

There’s a particular kind of attraction that makes absolutely no sense. Anyone can recognise every warning sign, understand that something probably won’t end well and still find themselves wanting to get closer. It’s an experience that alternative pop artist Tylden explores through his single “Orbit,” a track that brings together the excitement of infatuation and the uncomfortable knowledge that it might be leading somewhere dangerous.

What makes the concept interesting is the way Tylden approaches it. Rather than turning the experience into a straightforward heartbreak song, he wanted to capture the strange enjoyment that can come from being drawn towards something anyone knows isn’t good for them.

The idea began after meeting someone whose red flags were immediately apparent. Instead of losing interest, Tylden found himself fascinated by the situation, increasingly curious about a person he already suspected could bring unnecessary complications into his life.

That contradiction eventually became the foundation of “Orbit.”

Using gravity as a metaphor, the song explores how attraction can begin to resemble an unavoidable force, pulling someone closer even when their better judgment is telling them to move in the opposite direction.

It’s a familiar emotional experience, especially when the excitement of a new connection makes it easy to overlook the warning signs.

However, Tylden didn’t want the song to feel overwhelmingly serious. Instead, he approached the subject with a sense of fun, balancing its darker inspiration with a catchy, accessible musical direction. The result is a concept that allows listeners to enjoy the excitement of the story while recognising the less-than-ideal decisions taking place within it.

That contrast is an interesting part of Tylden’s developing musical identity. Pop music has always had a talent for making complicated emotions sound deceptively simple, and “Orbit” follows that tradition by exploring a subject that could easily become heavy or introspective without losing its sense of enjoyment.

With “Orbit,” Tylden captures that feeling without attempting to disguise the contradictions behind it.

Now, attention is beginning to turn towards his next release, “Houdini.”

While the full story and musical direction behind the upcoming song haven’t yet been detailed, its arrival will give listeners another opportunity to explore Tylden’s evolving catalogue.

Following a track like “Orbit,” which uses a memorable concept to examine a complicated emotional experience, there’s plenty of interest in seeing what subject he chooses to explore next.

The upcoming release also gives Tylden an opportunity to build on the creative direction established through his recent music, introducing another song while continuing to develop his identity as an artist.

For listeners discovering him through “Orbit,” it’s a natural reason to keep following his work.

What stands out about Tylden’s approach is his willingness to find enjoyment in subjects that aren’t necessarily positive. Attraction, uncertainty and poor decisions are all familiar songwriting territory, but presenting them with humour and an accessible pop sensibility gives those experiences a different perspective.

As he prepares to introduce “Houdini,” Tylden is continuing to establish himself as an artist interested in the contradictions that make relationships, and the people involved in them, so unpredictable.

And if “Orbit” demonstrates anything, it’s that sometimes knowing better doesn’t make the temptation any easier to resist.

https://open.spotify.com/track/6oSY3DKiR9TWGNTnVEziwY?si=0c23c689a61b4e96

Under Auburn Skies Showcase Their Heavier Side on ‘Diminisher of Hope’

For nearly a decade, Denver’s Under Auburn Skies have been carving out their place in the melodic metalcore scene. Combining technical musicianship with the intensity that defines modern heavy music, the band has continued to refine their sound through years of writing, recording, and performing. Their album Diminisher of Hope brings that experience together, offering six tracks that reflect the band’s commitment to powerful instrumentation and an uncompromising approach to metalcore.

Among the songs on the record, “Final Sin” deserves particular attention.

Appearing as the closing track, it offers listeners one final opportunity to experience the heavier side of Under Auburn Skies before the album ends. At nearly four minutes long, it’s also one of the record’s longer offerings, providing a fitting conclusion to a project built around the band’s established musical identity.

The album begins with the brief introduction “First Blood” before moving into “World-Eater,” “The Pale King,” “Gravemind,” and “Dathomir.” Together, these tracks form a compact release that doesn’t rely on an unnecessarily long tracklist to make an impression.

For listeners discovering the band for the first time, Diminisher of Hope offers an introduction to the kind of music Under Auburn Skies have spent years developing.

Their influences sit comfortably alongside artists such as Polaris, Invent Animate, Make Them Suffer and ERRA, placing them within a generation of metalcore bands interested in balancing melodic elements with heavier arrangements.

Over the years, Under Auburn Skies have shared stages with established names including All That Remains, Born of Osiris, Norma Jean, Darkest Hour, Like Moths to Flames, and Phinehas. Those opportunities have helped them develop as performers while introducing their music to audiences already familiar with the heavier end of the rock and metal spectrum.

That background is an important part of understanding the band’s progression. Their music has been shaped not only by their influences but also by the demands of performing alongside experienced touring acts and by the ongoing development of their own material.

The recording process behind Diminisher of Hope also reflects that commitment.

Vocals and additional guitar parts were recorded at The Blasting Room in Fort Collins, Colorado, a studio with a history of working with artists including Rise Against, As I Lay Dying, Bad Religion and A Day To Remember.

It’s a connection that places the project within a wider tradition of professionally recorded heavy music, while allowing Under Auburn Skies to continue developing the sound they’ve established over previous releases.

Their earlier record, Invention of Reason, was another important step in that journey, demonstrating the band’s willingness to invest time and energy into their recordings.

With Diminisher of Hope, the focus returns to the music itself.

Tracks such as “The Pale King” and “Final Sin” provide strong entry points for listeners exploring the album, while the surrounding songs contribute to a release that reflects the band’s years of experience.

For established fans, the record represents another chapter in Under Auburn Skies’ development. For newcomers, it’s an opportunity to discover a Denver metalcore band that has spent years building its reputation through live performances, ambitious recording projects and a clear dedication to heavy music.

And with “Final Sin” bringing the album to its conclusion, Diminisher of Hope leaves listeners with a strong reminder of what Under Auburn Skies have been working towards.

https://open.spotify.com/album/21jULyobZdVd3oWtZrWCvf?si=drQEr3MORBicMjgmZHi8pw