From the bustling stages of improv comedy to the intricate layers of screenwriting and film production, Andrew Boszhardt is carving his path in the entertainment industry. As he prepares for his upcoming performances at the Camden Fringe Performing Arts Festival in “Two Cents” and “Tundra,” Boszhardt reflects on his burgeoning career.
Six years ago, Boszhardt embarked on an exploration of improv comedy to refine his business skills, not knowing it would lead to a profound dive into acting, writing, and producing. Leaving the startup world, he enrolled in a two-year acting conservatory, which set the foundation for his artistic future. Bozhardt played the writer, producer, and actor roles in his latest film, “Breed of Greed,” alongside Gina Gershon, Adrian Enscoe, Chelsea Gilligan, and Madison Lewis, amongst others.
Photo Courtesy: Alex Korolkovas
“Breed of Greed” stands out as a particularly rewarding project due to the positive feedback it received after a recent private screening at the Cannes Film Festival and Bozhardt’s deep creative involvement. Balancing multiple roles in the industry, he understands the importance of managing priorities and being surrounded by dedicated partners.
Andrew Boszhardt’s journey into the world of entertainment has been marked by a series of transformative experiences, each contributing to his growth as an artist. His decision to pursue improv comedy to enhance his business acumen inadvertently opened the door to a profound exploration of acting, writing, and producing. The two-year acting conservatory he attended served as a pivotal foundation, enabling him to hone his craft and establish himself in the competitive entertainment industry. His role in “Breed of Greed” showcased his versatility and demonstrated his ability to wear multiple hats, balancing the demands of being a writer, producer, and actor.
Boszhardt uses acting to express his more “brooding and vulnerable side” (as he puts it), though he also has a knack for playing comedic characters. Writing, for him, usually begins with a strong, “high-concept” premise and then becomes an exploration of the characters, the world of the story, and himself. He says all of his scripts are deeply personal, even if, on the surface, they don’t appear to have any relation to him or his life. And lastly, Boszhardt sees producing as a way to maintain as much creative control over his work as possible. He sees directing in his future as well.
Currently, Boszhardt is developing multiple features and a TV show, balancing his time between acting and writing. He is keen on doing more stage work (His dream role is Biff in “Death of a Salesman”), and he is excited to make his London stage debut in August.
From the screen to the stage, Boszhardt has studied various acting methods, currently focusing on The Method that Lee Strassberg pioneered. When done properly, he says the use of sense memory work is so powerful, personal, and profound that one “doesn’t have to act.” What’s happening to the actor – the tempest of emotion they’re experiencing – is real. He’s all in on The Method and studies it weekly in a masterclass.
Boszhardt’s passion for storytelling is evident in his dedication to writing high-concept and deeply personal scripts. He approaches each script with a unique perspective, delving into the characters and the world they inhabit, often finding reflections of his own experiences within the narrative. This introspective approach allows him to create compelling, authentic stories that resonate with audiences. His interest in producing stems from a desire to maintain creative control, ensuring his vision is realized on screen. “Breed of Greed” recently had an industry screening at the Cannes Film Festival, where it was positively received.
Reflecting on his career thus far, Boszhardt is grateful for the lessons he’s learned along the way (some of them painful) and the relationships/ friendships he’s developed, and he’s excited for what’s to come.
Published by: Martin De Juan
