Entertainment Post

Comedian Chris Rock Calls Out Academy’s Failure to Recognize Adam Sandler’s Talent

Chris Rock, a comedian and Saturday Night Live co-star, has voiced his displeasure at the Academy’s rejection of Adam Sandler.

At the Mark Twain Award ceremony for American Humor on Sunday, Rock used colorful language to criticize the Academy for not recognizing Sandler’s acting talent. 

Rock, who previously hosted and announced the Oscars, turned down the opportunity to host the 2023 Oscars after a controversial incident involving Will Smith at last year’s awards ceremony.  

After a contentious episode involving Will Smith at the 2018 Oscars, Rock, who had previously hosted and presented at the Academy Awards, declined the offer to host the 2023 ceremony.

Sandler’s performance in the 2019 film Uncut Gems was widely praised by critics, and many expected him to be nominated for an Oscar for his work. was nowhere to be seen.  

It wasn’t the first time the Academy overlooked Sandler’s talent. Despite his impressive work, he was never nominated for an Oscar.  

The Academy has a long history of disdaining comedians and comic performances, as Rock’s remarks serve as a reminder. Despite their ability to make audiences around the world smile and laugh, comedians have historically been overlooked by the Academy, although serious parts have frequently been awarded.

Sandler isn’t the only one who’s been snubbed by the Academy. Other comedians have also been overlooked in the past, including Jim Carrey, Eddie Murphy and Steve Carell. raises important questions about  

Rock Speaks Out

As the film industry continues to evolve and diversify, it’s important for the Academy to recognize the contributions of all actors and filmmakers, regardless of their genre or style. Comedians, in particular, deserve to be recognized for their unique abilities to entertain and delight audiences. 

Hopefully, Rock’s comments will help to spark a larger conversation about the role of comedy in the film industry and the need for greater recognition of comedic performances at the Oscars.

During his speech, Rock reflected on Sandler’s role in his life, highlighting how Sandler was one of the first people to embrace him at a time when he was one of the few Black comics in their shared social scene.

Rock was not alone in singing Sandler’s praises on Sunday evening; a number of other celebrities, including Jennifer Aniston, Pete Davidson, Drew Barrymore, David Spade, and more, also took the opportunity to celebrate Sandler’s work and his impact on the world of comedy.

Despite Sandler’s decades-long film career and his impressive performances in films like “Uncut Gems,” “Punch-Drunk Love,” and “The Meyerowitz Stories,” he has never been nominated for an Oscar. 

Some critics have suggested that this might be due to the fact that many people still associate Sandler with the “goofy man-children” he’s played in films like “Billy Madison” and “Happy Gilmore.”

However, as Jessica Derschowitz argued in Entertainment Weekly last year, Sandler’s ability to subvert these comedic roles and deliver powerful dramatic performances is precisely what makes him such a unique and talented actor. “Uncut Gems,” in particular, showcases Sandler’s range and his ability to create complex, nuanced characters that audiences can root for despite their flaws.

Read also: 5 FAQs You Must Know about ‘Mean Girls’ Musical Movie

Comedy: An Art

Sandler himself has taken a lighthearted approach to the Oscars snub, joking that he would make a deliberately bad movie if he didn’t receive a nomination. Nevertheless, the fact that he has been overlooked by the Academy highlights the ongoing challenges faced by comedians and comedic actors in an industry that often prioritizes drama over comedy.

Ultimately, Rock’s comments at the Mark Twain Prize for American Humor serve as a reminder of the importance of celebrating comedic talent and recognizing the contributions that comedians make to the world of entertainment. 

As the film industry continues to evolve and diversify, it’s important for the Academy and other organizations to embrace a wider range of genres and styles, and to give comedians like Sandler the recognition they deserve.

Comedy is a form of art that has been around for centuries, bringing joy and laughter to audiences around the world. It is a complex and multifaceted genre that encompasses a wide range of styles and approaches, from slapstick and physical comedy to satire and irony. 

The art of comedy is one that is often overlooked, but it requires skill, creativity, and a deep understanding of human nature.

At its core, comedy is about connecting with people and making them laugh. Whether through clever wordplay, hilarious anecdotes, or physical antics, comedians have a unique ability to bring people together and create a sense of community through shared laughter. 

They are able to tap into the common experiences and emotions that unite us all, and turn them into something that is both relatable and entertaining.

Read also: Diversity and Inclusion: Balancing the Oscars’ Recognition of Excellence with Representation

How a Comedian Comes to Be

One of the key elements of successful comedy is timing. A comedian must know when to deliver a punchline or a comedic gesture for maximum effect. This requires an acute sense of timing and an ability to read the audience and adjust the performance accordingly. 

A joke that falls flat or a gesture that is mistimed can be disastrous, but a well-timed punchline can make all the difference.

Another important aspect of comedy is the ability to take risks. Comedians often push boundaries and challenge social norms, using humor to address sensitive or taboo topics that might otherwise be difficult to discuss. This requires bravery and a willingness to put oneself out there, knowing that not every joke will land and that some might even offend.

Yet, while comedy can be subversive and even controversial, it also has the power to bring people together and foster understanding. Through humor, comedians are able to break down barriers and create a sense of empathy and connection. 

They are able to address difficult topics in a way that is both accessible and entertaining, allowing audiences to engage with these issues in a way that might not be possible through other means.

Finally, comedy is an art form that requires practice, dedication, and a willingness to learn and grow. Successful comedians are constantly refining their craft, experimenting with new material, and seeking out feedback from other performers and audiences. They understand that comedy is a process of trial and error, and that there is always room for improvement.

Photo: EW

5 FAQs You Must Know about ‘Mean Girls’ Musical Movie

The highly anticipated Mean Girls: The Musical Film is just around the corner, and Mean Girl fans of the original movie eagerly await its debut. With an all-star cast of talented actors, an energetic and fun score, and a script that follows the same beloved story as the original movie, there is no doubt that it will be a fantastic experience.

To become updated with the latest movie news, here are the things about Mean Girls: The Musical.

1. What Is the ‘Mean Girls’ Musical Movie?

While the original movie was a cult classic, the musical adaptation promises to add a unique twist to the story. Tina Fey has stated that the musical will explore the themes from the original movie, such as female empowerment, in a more “timely” and “topical” way.

The movie centers around Cady, who has just moved to a suburban town after living in Africa her entire life. She finds herself stuck between two cliques at school — the famous “Plastics” led by Regina George and the “Mathletes” led by Janis Ian. Cady quickly attempts to fit in with the Plastics but finds herself in a precarious situation when she falls for Aaron Samuels, Regina’s ex-boyfriend.

The movie’s musical adaptation stays true to the original story, adding its unique spin through song and dance. The show is filled with catchy songs that capture the movie’s essence and choreography that will have you dancing in your seat. The show is sure to entertain and captivate audiences of all ages.

2. Who Is the Director of the Mean Girls Musical Movie?

The creative team behind Mean Girls: The Musical is filled with award-winning and highly respected names. The original movie’s creator, Tina Fey, will write the musical’s book. Tony Award-winning composer Jeff Richmond and Tony Award-winning lyricist Nell Benjamin are the musical’s composers and lyricists. Arturo Perez Jr. will also conduct the whole musical production, and Samantha Jayne will also lead the entire musical production, as they will be directing and choreographing the show.

3. Who Are the Cast Members of the Mean Girls Musical Movie?

Four actors, Angourie Rice, Reneé Rapp, Auli’i Cravalho, and Jaquel Spivey, have joined the cast of Paramount Pictures upcoming movie adaptation of the Broadway musical Mean Girls. They will be playing the characters of Cady, Regina, Janis, and Damian. Additionally, they are accompanied by a talented and diverse ensemble of actors, singers, and dancers.

It was also revealed that Amanda Seyfried, one of the actors in the original film, and her previous co-stars are entirely willing to make a special appearance in the upcoming Mean Girls reunion. She mentioned that the original Mean Girls movie had been around for a long time, and they would all like to meet up and have fun.

4. When Will Mean Girls Musical Movie Start Filming?

The long-awaited Mean Girls musical movie has been in the works for some time, and fans of the 2004 movie have eagerly awaited news of when filming will begin. The good news is that filming is now set to start in March 2023, with a casting call recently released for extras for the movie.

5. When Is the Release Date of Mean Girls: The Musical Movie?

The wait is finally over for Mean Girls fans! The much-anticipated Mean Girls musical movie is finally on its way. Though Paramount Pictures hasn’t yet announced an official release date for the film, one thing’s for sure — it will be available to stream exclusively on Paramount+ when it is released. 


Mean Girls: The Musical is an entertaining and light-hearted take on classic teen comedy. Whether you’re a fan of the original movie or a newcomer looking for a fun and entertaining film, this is worth waiting for. Keep your tabs updated with the latest movie news for the official release date announcement from Paramount Pictures!

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Diversity and Inclusion: Balancing the Oscars’ Recognition of Excellence with Representation

Over the past nine decades, the Oscars have been a staple of Hollywood. It is the ultimate celebration of the industry’s best films for movie buffs.

But the annual awards ceremony is not without criticism, controversy, and disappointments. With the 2023 Academy Awards airing this year, an anonymous Academy member talks about his relationship with the ceremony and the organization behind it.  

The longtime actor, who stopped watching Oscars before becoming a member of AMPAS, has expressed disgust at the back slaps and big game-off attitudes he thought were getting worse over the years. criticized the Academy’s increasingly political and commercial preferences and the hostage situation of the Awakening. 

Although not all Academy members may agree with this actor’s viewpoints, they do bring up an intriguing issue regarding the organization’s attempts to appease everyone.

As the world becomes more diverse and political issues arise, the Academy finds itself in the midst of an ongoing debate about representation and inclusion. Balancing the need to be sexually aware is a difficult task. 

Although this year’s nominees have been criticized for being predominantly white, the anonymous actor believes the Academy is doing its part to promote diversity in the industry.  

He condemned the media backlash over the Best Actress omissions of Viola Davis and Danielle Deadwyler, saying that the Academy had selected the top five, and it wasn’t right to suddenly beat a frying pan and accuse them of overlooking Black people.

Oscars Campaign Tactics

The anonymous actor’s comments may be seen as controversial, but they highlight the complexities of the Academy’s decision-making process. 

The Oscars are not just about recognizing the best films and performances; they’re also about politics, campaigning, and social issues. As the anonymous actor said, the Academy is being held hostage, and it’s not an easy job to please everyone.

The Academy is investigating campaign tactics following Andrea Riseborough’s surprise nomination for To Leslie, indicating that the Oscars are not immune to controversies and manipulations. 

However, at the end of the day, the Oscars are still an important event that recognizes the best of the best in the industry. They may not be perfect, but they remain an essential part of Hollywood’s culture and history.

Read also: A Sense of Community: Actors Come Together for the 2023 SAG Awards

Panel of Voters

Entertainment Weekly recently sat down with four anonymous Academy voters from diverse backgrounds and professions to discuss their thoughts and opinions on the upcoming Oscars. The panel consisted of an actor, a marketer, a director, and a costume designer, all of whom bring unique perspectives and experiences to the table.

The Actor on the panel is a seasoned performer whose work has been consistently praised by critics and audiences alike. Their insights into the industry and the awards circuit offer a valuable perspective on the challenges and rewards of being an actor in Hollywood.

The Marketer is a seasoned pro who has promoted some of the biggest films and performers of the year. Their expertise in the world of marketing and publicity provides a fascinating look at the behind-the-scenes machinations that go into promoting a film for awards consideration.

The Director on the panel is an accomplished filmmaker with experience working in both television and film. Their perspective on the craft of filmmaking and the challenges of bringing a project to life in the modern era is sure to be insightful and thought-provoking.

The Costume Designer is a talented professional with a diverse portfolio that includes work on critically acclaimed television projects, prestige awards season movies, and commercial blockbusters. Their insights into the art of costume design and the role it plays in bringing characters to life on screen are sure to be fascinating.

Together, these four Academy voters offer a unique and multifaceted perspective on the Oscars and the film industry as a whole. 

Read also: Grammy Awards 2023: Celebrating the Best in Music

Most Coveted

The voting system used by the Academy of Motion Picture Arts and Sciences (AMPAS) has undergone several changes over the years, but the current system provides a unique and complex approach to recognizing the best in cinema.

Firstly, it’s important to note that the Oscars are divided into two main categories: the popular vote and the preferential ballot. The popular vote determines the winners of the categories for Best Picture, Best Director, and the four acting categories (Best Actor, Best Actress, Best Supporting Actor, and Best Supporting Actress). 

The preferential ballot is used for categories such as Best Animated Feature, Best Foreign Language Film, and the technical categories.

In the popular vote, members of the Academy are allowed to vote for their top choice in each category, with the nominee who receives the most votes being declared the winner. However, for the category of Best Picture, things get a bit more complicated. 

In this category, voters are asked to rank the nominated films in order of preference, with the film that receives the most first-place votes being declared the winner.

If no film receives more than 50% of the first-place votes, the film with the fewest votes is eliminated, and its second-place votes are distributed among the remaining films. This process is repeated until one film reaches the necessary 50% threshold.

The preferential ballot, on the other hand, works by asking voters to rank the nominees in order of preference. 

The ballots are then counted by a process known as the single transferable vote, which eliminates the nominee with the fewest first-place votes and redistributes those votes to the remaining nominees based on the second-place choices of those who voted for the eliminated nominee.

Photo: Static

A Sense of Community: Actors Come Together for the 2023 SAG Awards

Actors love nothing more than to be recognized for their work and to be in the company of their peers. That’s why the SAG Awards are always a special night for the entertainment industry. This year’s 29th annual ceremony was no exception as some of the biggest names in film and television came together for a night of celebration and camaraderie.

Streamed for the first time on Netflix’s YouTube page, the ceremony was a blast from start to finish. With no commercial breaks, viewers were immersed in the excitement and excitement of the event.  

The winning speakers’ moving speeches were among the evening’s high points. The speeches served as a reminder of the value of good storytelling and the influence actors can have on their audiences, from Viola Davis’ moving tribute to her late co-star Chadwick Boseman to Jason Sudeikis’ thoughtful remarks on the value of kindness and empathy.

Another highlight of the night was the sit-down comedy that kept the audience laughing throughout the ceremony. Comical moments added a lighthearted touch to the action, from hilarious banter between hosts like Awkwafina and Sterling K. Brown to playful skits that made fun of Hollywood stereotypes. 

Spotlights on Actors

But perhaps the biggest highlight of the night was the opportunity for the actors to get together and celebrate their craft.Seeing longtime friends on the red carpet, seeing the genuine joy and excitement on the faces of the winners, The SAG Awards reminded us of the sense of community that exists in the entertainment industry.  

Of course, no awards show would be complete without the announcement of the winners, and the SAG Awards did not disappoint in that regard. 

From outstanding performances in films like “The Trial of the Chicago 7” and “Ma Rainey’s Black Bottom,” to standout work on television shows like “The Crown” and “Schitt’s Creek,” this year’s winners showcased the depth and diversity of talent in the industry.

All in all, the 29th annual SAG Awards were a night to remember. With heartfelt speeches, spot-on comedy bits, and an overwhelming sense of camaraderie, the ceremony was a reminder of why actors love what they do. Congratulations to all the winners, and here’s to another year of incredible performances and unforgettable moments in film and television.

Read also: Grammy Awards 2023: Celebrating the Best in Music

Abbott Elementary Puts a Great Show

The Abbott Elementary stars kicked off the night with some nervous but charming banter as the camera operator showed up at their table. Once they took to the stage, however, they hit their stride with a mini-monologue that had the audience in stitches. 

Their comedic timing and energy were nothing short of electric, proving that their Emmy-winning chemistry wasn’t just limited to their on-screen roles.

As the night progressed, James and Brunson continued to shine as they presented various awards and interacted with their fellow actors. Their natural humor and charisma had everyone in the room laughing and enjoying the show.

It’s clear that James and Brunson are not just talented actors, but also gifted comedians who know how to work a room. Their performances at the SAG Awards have cemented their status as rising stars in Hollywood, and it’s only a matter of time before they’re tapped to host their own show or event.

Jamie Lee Curtis is Love

Jamie Lee Curtis, star of the new film “Everything Everywhere All at Once,” has been a fixture in Hollywood for over four decades, but she had never won a Screen Actors Guild Award until this year. And when she finally took home the trophy, her speech showed why she is so beloved by her peers.

Curtis began her speech by acknowledging her family heritage in Hollywood, including her parents Janet Leigh and Tony Curtis, and their complicated relationship. But she quickly shifted to expressing her gratitude for the award and her fellow actors. “The truth of the matter is, I’m 64 years old and this is just amazing,” she said, visibly moved.

Curtis also used her time on stage to shine a spotlight on her EEAAO costar Michelle Yeoh, leading the audience in a chant for the talented actress. This gracious gesture was typical of Curtis, who has always been known for her generosity and support of other actors.

In fact, Curtis’s reputation as an outstanding supporting actress extends beyond the screen. She has been a vocal advocate for her fellow actors, speaking out on issues such as pay equity and diversity in Hollywood. She has also been a mentor to young actors and has used her platform to promote important causes such as voting rights and environmental conservation.

Read also: From Minneapolis to Los Angeles: Lil Wayne Takes the Stage for the Welcome to Tha Carter Tour

Aubrey Plaza and Jenna Ortega Takes Center Stage 

The Screen Actors Guild Awards always promise memorable moments, and this year’s ceremony did not disappoint. Among the highlights were Parks and Recreation’s Aubrey Plaza and Wednesday’s Jenna Ortega presenting the Best Male Actor in a TV Movie or Miniseries award. The pair’s deadpan humor and brooding style made for a memorable pairing.

Plaza and Ortega did not waste any time addressing the elephant in the room. Why were they presenting together, and not with male presenters? “We should find the people who did this,” Plaza joked, before Ortega added, “and curse their families, and watch as misfortune follows their bloodline for the next seven generations.” 

The two delivered their lines with impeccable timing and a sense of dark humor that had the audience laughing out loud.

The comedic chemistry between Plaza and Ortega was undeniable, and their bit was one of the funniest of the night. It was also a reminder of how much the two actresses have in common. Both are known for their deadpan style and their ability to bring a dark edge to their performances. 

They are not afraid to take risks and push boundaries, making them some of the most exciting actresses working today.

Photo: EW

Grammy Awards 2023: Celebrating the Best in Music

Some of the biggest names in music, including Beyoncé, Adele, Bad Bunny, ABBA, Mary J. Blige, Harry Styles, Lizzo, Brandi Carlile, and Coldplay, will perform a mix of live and pre-recorded performances at the 65th Annual Grammy Awards.

Additionally, the show will include special tributes to legendary musicians who have died in the past year, including Prince, David Bowie and Freddie Mercury.  

The Grammy Awards have been a staple of the music industry for over 60 years, recognizing the best and brightest in the industry. 

As the biggest names in music come together to honor the power of music, this year’s awards show is sure to be full of surprises, victories, and memorable moments. So prepare for the show of the year by grabbing some snacks, relaxing, and watching.

One of the music industry’s biggest events, the Grammy Awards are celebrating their 65th anniversary this year. The event recognizes the best and brightest achievements in music, from Album of the Year to Best New Artist. 

Mixing live and recorded performances from some of the biggest names in music, the Grammys are sure to be a night to remember.  

The Grammys are not just an awards ceremony, then. They are a celebration of the best in music, a nod to the dedication and skill of the musicians who made it, and proof of how music can unite people.

Read also: From Minneapolis to Los Angeles: Lil Wayne Takes the Stage for the Welcome to Tha Carter Tour

Awards Host

South African comedian Trevor Noah has been a well-known face in the entertainment industry for many years. He was first recognized as the host of The Daily Show, where for several years he made audiences laugh with his sharp wit and insightful commentary.  

However, he quit his day job in late 2021 to focus on other opportunities, including hosting the Grammy Awards.  

Noah has now returned as the host of the 65th Annual Grammy Awards, marking his third year in the role. As a seasoned Grammy host, Noah has learned a great deal about what it takes to make a successful awards show. 

He understands that the role of a host goes beyond just making jokes and being funny. He knows that he must also connect with the audience and the performers, and make the show feel like a celebration of all the amazing music that has been created over the past year.

In a recent interview, Noah said, “Sometimes when you’re doing a live award show you can focus so much on the production of it that you forget what’s happening right in front of your eyes. And that is, some of the greatest talents of a generation are performing live in front of you.” 

“And so if anything, it taught me to be present in the moment, to focus on what’s happening so I could sort of be the conduit to the audience … It’s just this live volcano that’s erupting in front of our eyes, and it’s beautiful to be a part of,” he added. 

Read also: Oscar Noms 2023: Prestige Films, Blockbusters, and International Dramas Make the Cut

The winners for this year are listed below:.

Record of the Year

“Don’t Shut Me Down” — ABBA

“Easy on Me” — Adele

“Break My Soul” — Beyoncé

“Good Morning Gorgeous” — Mary J. Blige

“You and Me on the Rock” — Brandi Carlile feat. Lucius

“Woman” — Doja Cat

“Bad Habit” — Steve Lacy

“The Heart Part 5” — Kendrick Lamar

“About Damn Time” — Lizzo

“As It Was” — Harry Styles

Album of the Year

Voyage — ABBA

30 — Adele

Un Verano Sin Ti — Bad Bunny

Renaissance — Beyoncé

Good Morning Gorgeous (Deluxe) — Mary J. Blige

In These Silent Days — Brandi Carlile

Music of the Spheres — Coldplay

Mr. Morale & the Big Steppers — Kendrick Lamar

Special — Lizzo

Harry’s House — Harry Styles

Song of the Year

“abcdefu” — Gayle

“About Damn Time” — Lizzo

“All Too Well (10-Minute Version) (The Short Film)” — Taylor Swift

“As It Was” — Harry Styles

“Bad Habit” — Steve Lacy

“Break My Soul” — Beyoncé

“Easy on Me” — Adele

“God Did” — DJ Khaled feat. Rick Ross, Lil Wayne, Jay-Z, John Legend, and Fridayy

“The Heart Part 5” — Kendrick Lamar

“Just Like That” — Bonnie Raitt

Best New Artist


Omar Apollo

Domi & JD Beck

Samara Joy



Muni Long

Tobe Nwigwe

Molly Tuttle

Wet Leg

Best Music Video

Easy on Me — Adele

Yet To Come — BTS

Woman — Doja Cat

The Heart Part 5 — Kendrick Lamar

As It Was — Harry Styles

All Too Well: The Short Film — Taylor Swift

Best Pop Solo Performance

“Easy on Me” — Adele

“Moscow Mule” — Bad Bunny

“Woman” — Doja Cat

“Bad Habit” — Steve Lacy

“About Damn Time” — Lizzo

“As It Was” — Harry Styles

Best Pop Duo/Group Performance

“Don’t Shut Me Down” — ABBA

“Bam Bam” — Camila Cabello feat. Ed Sheeran

“My Universe” — Coldplay & BTS

“I Like You (A Happier Song)” — Post Malone & Doja Cat

“Unholy” — Sam Smith & Kim Petras

Best Traditional Pop Vocal Album

Higher — Michael Bublé

Best Pop Vocal Album

Voyage — ABBA

30 — Adele

Music of the Spheres — Coldplay

Special — Lizzo

Harry’s House — Harry Styles

Best Dance/Electronic Recording

“Break My Soul” — Beyoncé

Best Dance/Electronic Music Album

Renaissance — Beyoncé

Fragments — Bonobo 

Diplo — Diplo

The Last Goodbye — Odesza

Surrender — Rüfüs Du Sol

Best Contemporary Instrumental Album

Between Dreaming and Joy — Jeff Coffin

Not Tight — Domi & JD Beck

Blooz — Grant Geissman

Jacob’s Ladder — Brad Mehldau

Empire Central — Snarky Puppy

Best Rock Performance

“Broken Horses” — Brandi Carlile

Best Metal Performance

“Degradation Rules” — Ozzy Osbourne feat. Tony Iommi

Best Instrumental Composition

“Refuge” — Geoffrey Keezer

Best Arrangement, Instrumental or A Capella

“Scrapple from the Apple” — John Beasley

Best Arrangement, Instruments and Vocals

“Songbird (Orchestral Version)” — Vince Mendoza

Best Rap Performance

“The Heart Part 5” — Kendrick Lamar

Best Melodic Rap Performance

“Wait For U” — Future feat. Drake & Tems 

Best Rap Song

“The Heart Part 5” — Kendrick Lamar

Best Rap Album

God Did — DJ Khaled 

I Never Liked You — Future

Come Home the Kids Miss You — Jack Harlow

Mr. Morale & the Big Steppers — Kendrick Lamar

It’s Almost Dry — Pusha T

Best Latin Pop Album

Pasieros — Rubén Blades & Boca Livre

Best Música Urbana Album

Trap Cake, Vol. 2 — Rauw Alejandro

Un Verano Sin Ti — Bad Bunny

Legendaddy — Daddy Yankee

La 167 — Farruko

The Love & Sex Tape — Maluma 

Best Latin Rock or Alternative Album

Motomami — Rosalía

Best Regional Mexican Music Album (Including Tejano)

Un Canto Por México – El Musical — Natalia Lafourcade

Best Tropical Latin Album

Pa’lla Voy — Marc Anthony 

Quiero Verte Feliz — La Santa Cecilia 

Lado A Lado B — Víctor Manuelle 

Legendario — Tito Nieves

Imágenes Latinas — Spanish Harlem Orchestra

Cumbiana II — Carlos Vives

Best American Roots Performance

“Someday It’ll All Make Sense” (Bluegrass Version) — Bill Anderson feat. Dolly Parton

“Life According to Raechel” — Madison Cunningham

“Oh Betty” — Fantastic Negrito

“Stompin’ Ground” — Aaron Neville with the Dirty Dozen Brass Band

“Prodigal Daughter” — Aoife O’Donovan & Allison Russell

Best Americana Performance

“Silver Moon” [A Tribute to Michael Nesmith] — Eric Alexandrakis

“There You Go Again” — Asleep at the Wheel feat. Lyle Lovett

“The Message” — Blind Boys of Alabama feat. Black Violin

“You and Me on the Rock” — Brandi Carlile feat. Lucius

“Made Up Mind” — Bonnie Raitt

Best Compilation Soundtrack for Visual Media


Best Score Soundtrack for Visual Media (Includes Film and Television)

Encanto — Germaine Franco

Best Score Soundtrack for Video Games and Other Interactive Media

Assassin’s Creed Valhalla: Dawn of Ragnarök — Stephanie Economou

Best Song Written for Visual Media

“Be Alive (From King Richard)” — Beyoncé & Darius Scott Dixon 

“Carolina (From Where the Crawdads Sing)” — Taylor Swift 

“Hold My Hand (From Top Gun: Maverick)” — Lady Gaga & Bloodpop

“Keep Rising (The Woman King) (From The Woman King)” — Jessy Wilson, Angélique Kidjo, & Jeremy Lutito

“Nobody Like U (From Turning Red)” — Billie Eilish & Finneas O’Connell 

“We Don’t Talk About Bruno (From Encanto)” — Lin-Manuel Miranda

Best Comedy Album

The Closer — Dave Chappelle 

Comedy Monster — Jim Gaffigan

A Little Brains, A Little Talent — Randy Rainbow

Sorry — Louis CK

We All Scream — Patton Oswalt

Best Musical Theater Album

Caroline, or Change — John Cariani, Sharon D Clarke, Caissie Levy, & Samantha Williams, principal vocalists; Van Dean, Nigel Lilley, Lawrence Manchester, Elliot Scheiner, & Jeanine Tesori, producers; Jeanine Tesori, composer; Tony Kushner, lyricist (New Broadway Cast)

Into the Woods (2022 Broadway Cast Recording) — Sara Bareilles, Brian d’Arcy James, Patina Miller & Phillipa Soo, principal vocalists; Rob Berman & Sean Patrick Flahaven, producers (Stephen Sondheim, composer & lyricist) (2022 Broadway Cast)

MJ the Musical — Myles Frost & Tavon Olds-Sample, principal vocalists; David Holcenberg, Derik Lee, & Jason Michael Webb, producers (Original Broadway Cast)

Mr. Saturday Night — Shoshana Bean, Billy Crystal, Randy Graff, & David Paymer, principal vocalists; Jason Robert Brown, Sean Patrick Flahaven, & Jeffrey Lesser, producers; Jason Robert Brown, composer; Amanda Green, lyricist (Original Broadway Cast)

Six: Live on Opening Night — Joe Beighton, Tom Curran, Sam Featherstone, Paul Gatehouse, Toby Marlow, & Lucy Moss, producers; Toby Marlow & Lucy Moss, composers/lyricists (Original Broadway Cast)

A Strange Loop — Jaquel Spivey, principal vocalist; Michael Croiter, Michael R. Jackson, Charlie Rosen, & Rona Siddiqui, producers; Michael R. Jackson, composer & lyricist (Original Broadway Cast)

Best R&B Performance

“Hrs & Hrs” — Muni Long

Best Traditional R&B Performance

“Plastic Off the Sofa” — Beyoncé

Best R&B Song

“Cuff It” — Beyoncé

“Good Morning Gorgeous” — Mary J. Blige

“Hrs & Hrs” — Muni Long

“Hurt Me So Good” — Jazmine Sullivan

“Please Don’t Walk Away” — PJ Morton

Best Progressive R&B Album

Gemini Rights — Steve Lacy

Best R&B Album

Black Radio III — Robert Glasper

Best Music Film

Adele One Night Only — Adele

Our World — Justin Bieber

Billie Eilish Live at the O2 — Billie Eilish

Motomami (Rosalía TikTok Live Performance) — Rosalía

Jazz Fest: a New Orleans Story — Various Artists

A Band, A Brotherhood, A Barn — Neil Young & Crazy Horse

Best Alternative Music Performance

“Chaise Longue” — Wet Leg

Best Alternative Music Album

WE — Arcade Fire

Dragon New Warm Mountain I Believe in You — Big Thief

Fossora — Björk

WINNER: Wet Leg — Wet Leg

Cool It Down — Yeah Yeah Yeahs

Best Rock Song

“Black Summer” — Red Hot Chili Peppers

“Blackout” — Turnstile

WINNER: “Broken Horses” — Brandi Carlile

“Harmonia’s Dream” — The War on Drugs

“Patient Number 9” — Ozzy Osbourne feat. Jeff Beck

Best Country Solo Performance

“Heartfirst” — Kelsea Ballerini

“Something in the Orange” — Zach Bryan

“In His Arms” — Miranda Lambert

“Circles Around This Town” — Maren Morris

WINNER: “Live Forever” — Willie Nelson

Best Country Duo/Group Performance

“Wishful Drinking” — Ingrid Andress & Sam Hunt

“Midnight Rider’s Prayer” — Brothers Osborne

“Outrunnin’ Your Memory” — Luke Combs & Miranda Lambert

“Does He Love You – Revisited” — Reba McEntire & Dolly Parton

WINNER: “Never Wanted to Be That Girl” — Carly Pearce & Ashley McBryde

“Going Where the Lonely Go” — Robert Plant & Alison Krauss

Best Country Song

“Circles Around This Town” — Ryan Hurd, Julia Michaels, Maren Morris, & Jimmy Robbins, songwriters (Maren Morris)

“Doin’ This” — Luke Combs, Drew Parker, & Robert Williford, songwriters (Luke Combs)

“I Bet You Think About Me (Taylor’s Version) (From the Vault)” — Lori McKenna & Taylor Swift, songwriters (Taylor Swift)

“If I Was A Cowboy” — Jesse Frasure & Miranda Lambert, songwriters (Miranda Lambert)

“I’ll Love You Till The Day I Die” — Rodney Crowell & Chris Stapleton, songwriters (Willie Nelson)

WINNER: “‘Til You Can’t” — Matt Rogers & Ben Stennis, songwriters (Cody Johnson)

Best Country Album

Growin’ Up — Luke Combs

Palomino — Miranda Lambert

Ashley McBryde Presents: Lindeville — Ashley McBryde

Humble Quest — Maren Morris

A Beautiful Time — Willie Nelson

Best New Age, Ambient, or Chant Album

Positano Songs — Will Ackerman

Joy — Paul Avgerinos

Mantra Americana — Madi Das & Dave Stringer with Bhakti Without Borders

The Passenger — Cheryl B. Engelhardt

WINNER: Mystic Mirror — White Sun

Best Improvised Jazz Solo

“Rounds (Live)” — Ambrose Akinmusire, soloist

“Keep Holding On” — Gerald Albright, soloist

“Falling” — Melissa Aldana, soloist

“Call of the Drum” — Marcus Baylor, soloist

“Cherokee/Koko” — John Beasley, soloist

WINNER: “Endangered Species” — Wayne Shorter & Leo Genovese, soloist

Best Jazz Vocal Album

The Evening : Live at APPARATUS — The Baylor Project

WINNER: Linger Awhile — Samara Joy

Fade to Black — Carmen Lundy

Fifty — The Manhattan Transfer with the WDR Funkhausorchester

Ghost Song — Cécile McLorin Salvant

Best Jazz Instrumental Album

WINNER: New Standards Vol. 1 — Terri Lyne Carrington, Kris Davis, Linda May Han Oh, Nicholas Payton, & Matthew Stevens

Live In Italy — Peter Erskine Trio

LongGone — Joshua Redman, Brad Mehldau, Christian McBride, and Brian Blade

Live at the Detroit Jazz Festival — Wayne Shorter, Terri Lyne Carrington, Leo Genovese & Esperanza Spalding

Parallel Motion — Yellowjackets

Best Large Jazz Ensemble Album

Bird Lives — John Beasley, Magnus Lindgren & SWR Big Band

Remembering Bob Freedman — Ron Carter & the Jazzaar Festival Big Band Directed by Christian Jacob

WINNER: Generation Gap Jazz Orchestra — Steven Feifke, Bijon Watson, Generation Gap Jazz Orchestra

Center Stage — Steve Gadd, Eddie Gomez, Ronnie Cuber, & WDR Big Band Conducted by Michael Abene

Architecture of Storms — Remy Le Boeuf’s Assembly of Shadows

Best Latin Jazz Album

Fandango at the Wall in New York — Arturo O’Farrill & the Afro Latin Jazz Orchestra feat. the Congra Patria Son Jarocho Collective

Crisálida — Danilo Pérez feat. the Global Messengers

If You Will — Flora Purim

Rhythm & Soul — Arturo Sandoval

Música De Las Américas — Miguel Zenón

Best Gospel Performance/Song

“Positive” — Erica Campbell; Erica Campbell, Warryn Campbell, & Juan Winans, songwriters

“When I Pray” — Doe; Dominique Jones & Dewitt Jones, songwriters

“Kingdom” — Maverick City Music & Kirk Franklin; Kirk Franklin, Jonathan Jay, Chandler Moore, & Jacob Poole, songwriters

“The Better Benediction” — PJ Morton featuring Zacardi Cortez, Gene Moore, Samoht, Tim Rogers, & Darrel Walls; PJ Morton, songwriter

“Get Up” — Tye Tribbett; Brandon Jones, Christopher Michael Stevens, Thaddaeus Tribbett, & Tye Tribbett, songwriters

Best Contemporary Christian Music Performance/Song

“God Really Loves Us (Radio Version)” — Crowder feat. Dante Bowe and Maverick City Music; Dante Bowe, David Crowder, Ben Glover, & Jeff Sojka, songwriter

“So Good” — Doe; Chuck Butler, Dominique Jones, & Ethan Hulse, songwriters

“For God Is With Us” — For King & Country & Hillary Scott; Josh Kerr, Jordan Reynolds, Joel Smallbone, & Luke Smallbone, songwriters

“Fear Is Not My Future” — Maverick City Music & Kirk Franklin; Kirk Franklin, Nicole Hannel, Jonathan Jay, Brandon Lake, & Hannah Shackelford, songwriters

“Holy Forever” — Chris Tomlin; Jason Ingram, Brian Johnson, Jenn Johnson, Chris Tomlin, & Phil Wickham, songwriters

“Hymn of Heaven (Radio Version)” — Phil Wickham; Chris Davenport, Bill Johnson, Brian Johnson, & Phil Wickham, songwriters

Best Gospel Album

Die to Live — Maranda Curtis

Breakthrough: The Exodus (Live) — Ricky Dillard

Clarity — Doe

One Deluxe — Maverick City Music & Kirk Franklin

All Things New — Tye Tribbett

Best Contemporary Christian Music Album

Lion — Elevation Worship

Breathe — Maverick City Music

Life After Death — TobyMac

Always — Chris Tomlin

My Jesus — Anne Wilson

Best Roots Gospel Album

Let’s Just Praise the Lord — Gaither Vocal Band

Confessio – Irish American Roots — Keith & Kristyn Getty

The Willie Nelson Family — Willie Nelson

2:22 — Karen Peck & New River

The Urban Hymnal — Tennessee State University Marching Band

Best American Roots Song

“Bright Star” — Anaïs Mitchell

“Forever” — Sheryl Crow

“High and Lonesome” — Robert Plant & Alison Krauss

“Just Like That” — Bonnie Raitt

“Prodigal Daughter” — Aoife O’Donovan & Allison Russell

“You and Me on the Rock” — Brandi Carlile feat. Lucius

Best Americana Album

In These Silent Days — Brandi Carlile

Things Happen That Way — Dr. John

Good to Be… — Keb’ Mo’

Raise the Roof — Robert Plant & Alison Krauss

Just Like That… — Bonnie Raitt

Best Bluegrass Album

Toward the Fray — The Infamous Stringdusters

Almost Proud — The Del McCoury Band

Calling You From My Mountain — Peter Rowan

Crooked Tree — Molly Tuttle & Golden Highway

Get Yourself Outside — Yonder Mountain String Band

Best Traditional Blues Album

Heavy Load Blues — Gov’t Mule

The Blues Don’t Lie — Buddy Guy

Get on Board — Taj Mahal & Ry Cooder

The Sun Is Shining Down — John Mayall

Mississippi Son — Charlie Musselwhite

Best Contemporary Blues Album

Done Come Too Far — Shemekia Copeland

Crown — Eric Gales

Bloodline Maintenance — Ben Harper

Set Sail — North Mississippi Allstars

Brother Johnny — Edgar Winter

Best Folk Album

Spellbound — Judy Collins

Revealer — Madison Cunningham

The Light at the End of the Line — Janis Ian

Age of Apathy — Aoife O’Donovan

Hell on Church Street — Punch Brothers

Best Regional Roots Music Album

Full Circle — Sean Ardoin and Kreole Rock and Soul feat. LSU Golden Band from Tigerland

Natalie Noelani — Natalie Ai Kamauu

Halau Hula Keali’i O Nalani (Live at the Getty Center) — Halau Hula Keali’i O Nalani

Lucky Man — Nathan & the Zydeco Cha Chas

Live at the 2022 New Orleans Jazz & Heritage Festival — Ranky Tanky

Best Reggae Album

WINNER: The Kalling — Kabaka Pyramid

Gifted — Koffee

Scorcha — Sean Paul

Third Time’s the Charm — Protoje

Com Fly Wid Mi — Shaggy

Best Global Music Performance

“Udhero Na” — Arooj Aftab & Anoushka Shankar

“Gimme Love” — Matt B & Eddy Kenzo

“Last Last” — Burna Boy

“Neva Bow Down” — Rocky Dawuni feat. Blvk H3ro

WINNER: “Bayethe” — Wouter Kellerman, Zakes Bantwini, & Nomcebo Zikode

Best Global Music Album

Shuruaat — Berklee Indian Ensemble

Love, Damini — Burna Boy

Queen of Sheba — Angélique Kidjo & Ibrahim Maalouf

Between Us… (Live) — Anoushka Shankar, Metropole Orkest, & Jules Buckley feat. Manu Delago

WINNER: Sakura — Masa Takumi

Best Children’s Music Album

Into the Little Blue House — Wendy and DB

Los Fabulosos — Lucky Diaz and the Family Jam Band

WINNER: The Movement — Alphabet Rockers

Ready Set Go! — Divinity Roxx

Space Cadet — Justin Roberts

Best Spoken Word Poetry Album

Black Men Are Precious — Ethelbert Miller

Call Us What We Carry: Poems — Amanda Gorman

Hiding in Plain View — Malcolm-Jamal Warner

The Poet Who Sat by the Door — J. Ivy

You Will Be Someone’s Ancestor. Act Accordingly. — Amir Sulaiman

Best Audio Book, Narration, and Storytelling Recording

Act Like You Got Some Sense — Jamie Foxx

All About Me!: My Remarkable Life in Show Business by Mel Brooks — Mel Brooks

Aristotle and Dante Dive Into The Waters of the World — Lin-Manuel Miranda

WINNER: Finding Me — Viola Davis

Music Is History — Questlove 

Best Recording Package

WINNER: Beginningless Beginning — Chun-Tien Hsia & Qing-Yang Xiao, art directors (Tamsui-Kavalan Chinese Orchestra)

Divers — William Stichter, art director (Soporus)

Everything Was Beautiful — Mark Farrow, art director (Spiritualized)

Telos — Ming Liu, art director (Fann)

Voyeurist — Tnsn Dvsn, art director (Underoath)

Best Boxed or Special Limited Edition Package

Artists Inspired by Music: Interscope Reimagined — Josh Abraham, Steve Berman, Jimmy Iovine, John Janick, & Jason Sangerman, art directors (Various Artists)

Big Mess — Berit Gwendolyn Gilma, art director (Danny Elfman)

Black Pumas (Collector’s Edition Box Set) — Jenna Krackenberger, Anna McCaleb, & Preacher, art directors (Black Pumas)

Book — Paul Sahre, art director (They Might Be Giants)

WINNER: In and Out of the Garden: Madison Square Garden ’81 ’82 ’83 — Lisa Glines, Doran Tyson. & Dave Van Patten, art directors (The Grateful Dead)

Best Album Notes

The American Clavé Recordings — Fernando González, album notes writer (Astor Piazzolla)

Andy Irvine & Paul Brady — Gareth Murphy, album notes writer (Andy Irvine & Paul Brady)

Harry Partch, 1942 — John Schneider, album notes writer (Harry Partch)

Life’s Work: A Retrospective — Ted Olson, album notes writer (Doc Watson)

WINNER: Yankee Hotel Foxtrot (20th Anniversary Super Deluxe Edition) — Bob Mehr, album notes writer (Wilco)

Best Historical Album

Against the Odds: 1974-1982 — Tommy Manzi, Steve Rosenthal, & Ken Shipley, compilation producers; Michael Graves, mastering engineer; Tom Camuso, restoration engineer (Blondie)

The Goldberg Variations – The Complete Unreleased 1981 Studio Sessions — Robert Russ, compilation producer; Martin Kistner, mastering engineer (Glenn Gould)

Life’s Work: A Retrospective — Scott Billington, Ted Olson, & Mason Williams, compilation producers; Paul Blakemore, mastering engineer (Doc Watson)

To Whom It May Concern… — Jonathan Sklute, compilation producer; Kevin Marques Moo, mastering engineer (Freestyle Fellowship)

WINNER: Yankee Hotel Foxtrot (20th Anniversary Super Deluxe Edition) — Cheryl Pawelski & Jeff Tweedy, compilation producers; Bob Ludwig, mastering engineer (Wilco)

Songwriter of the Year, Non-Classical

Amy Allen

Nija Charles

Tobias Jesso Jr.


Laura Veltz

Best Engineered Album, Non-Classical

Adolescence — George Nicholas & Ryan Schwabe, engineers; Ryan Schwabe, mastering engineer (Baynk)

Black Radio III — Daniel Farris, Tiffany Gouché, Keith Lewis, Musiq Soulchild, Reginald Nicholas, Q-Tip, Amir Sulaiman, Michael Law Thomas, & Jon Zacks, engineers; Chris Athens, mastering engineer (Robert Glasper)

Chloë and the Next 20th Century — Dave Cerminara & Jonathan Wilson, engineers; Adam Ayan, mastering engineer (Father John Misty

WINNER: Harry’s House — Jeremy Hatcher, Oli Jacobs, Nick Lobel, Mark “Spike” Stent & Sammy Witte, engineers; Randy Merrill, mastering engineer (Harry Styles)

Wet Leg — Jon McMullen, Joshua Mobaraki, Alan Moulder, & Alexis Smith, engineers; Matt Colton, mastering engineer (Wet Leg)

Producer of the Year, Non-Classical

Jack Antonoff

Dan Auerbach



Dernst “D’mile” Emile II

Best Remixed Recording

WINNER: “About Damn Time (Purple Disco Machine Remix)” — Purple Disco Machine, remixer (Lizzo)

“Break My Soul (Terry Hunter Remix)” — Terry Hunter, remixer (Beyoncé)

Easy Lover (Four Tet Remix)” — Four Tet, remixer (Ellie Goulding)

“Slow Song (Paul Woolford Remix)” — Paul Woolford, remixer (The Knocks & Dragonette)

“Too Late Now (Soulwax Remix)” — Soulwax, remixers (Wet Leg)

Best Immersive Audio Album

Aguilera — Jaycen Joshua, immersive mix engineer; Jaycen Joshua, immersive mastering engineer (Christina Aguilera)

WINNER: Divine Tides — Eric Schilling, immersive mix engineer; Stewart Copeland, Ricky Kej, & Herbert Waltl, immersive producers (Stewart Copeland & Ricky Kej)

Memories…Do Not Open — Mike Piacentini, immersive mix engineer; Mike Piacentini, immersive mastering engineer; Adam Alpert, Alex Pall, Jordan Stilwell, & Andrew Taggart, immersive producers (The Chainsmokers)

Picturing the Invisible – Focus 1 — Jim Anderson, immersive mix engineer; Morten Lindberg, & Ulrike Schwarz, immersive mastering engineers; Jane Ira Bloom & Ulrike Schwarz, immersive producers (Jane Ira Bloom)

Tuvayhun – Beatitudes for a Wounded World — Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Nidarosdomens Jentekor & Trondheimsolistene)

Best Engineered Album, Classical

Bates: Philharmonia Fantastique – The Making of the Orchestra — Shawn Murphy, Charlie Post, & Gary Rydstrom, engineers; Michael Romanowski, mastering engineer (Edwin Outwater & Chicago Symphony Orchestra)

Beethoven: Symphony No. 6; Stucky: Silent Spring — Mark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck & Pittsburgh Symphony Orchestra)

Perspectives — Jonathan Lackey, Bill Maylone, & Dan Nichols, engineers; Joe Lambert, mastering engineer (Third Coast Percussion)

Tuvayhun – Beatitudes for a Wounded World — Morten Lindberg, engineer; Morten Lindberg, mastering engineer (Anita Brevik, Nidarosdomens Jentekor & Trondheimsolistene)

Williams: Violin Concerto No. 2 & Selected Film Themes — Bernhard Güttler, Shawn Murphy, & Nick Squire, engineers; Christoph Stickel, mastering engineer (Anne-Sophie Mutter, John Williams & Boston Symphony Orchestra)

Producer of the Year, Classical

Jonathan Allen

Christoph Franke

James Ginsburg

Elaine Martone

Judith Sherman

Best Orchestral Performance

“Adams, John Luther: Sila – The Breath of the World” — Doug Perkins, conductor (Musicians of the University of Michigan Department of Chamber Music & University of Michigan Percussion Ensemble)

“Dvořák: Symphonies Nos. 7-9” — Gustavo Dudamel, conductor (Los Angeles Philharmonic)

“Eastman: Stay on It” — Christopher Rountree, conductor (Wild Up)

“John Williams – The Berlin Concert” — John Williams, conductor (Berliner Philharmoniker)

“Works by Florence Price, Jessie Montgomery, Valerie Coleman” — Michael Repper, conductor (New York Youth Symphony)

Best Opera Recording

Aucoin: “Eurydice” — Yannick Nézet-Séguin, conductor; Barry Banks, Nathan Berg, Joshua Hopkins, Erin Morley & Jakub Józef Orliński; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)

Blanchard: “Fire Shut Up in My Bones” — Yannick Nézet-Séguin, conductor; Angel Blue, Will Liverman, Latonia Moore, & Walter Russell III; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)

“Davis: X – The Life and Times f Malcolm X” — Gil Rose, conductor; Ronnita Miller, Whitney Morrison, Victor Robertson, & Davóne Tines; Gil Rose, producer (Boston Modern Orchestra Project; Odyssey Opera Chorus)

Best Choral Performance

Bach: “St. John Passion”— John Eliot Gardiner, conductor (English Baroque Soloists; Monteverdi Choir)

“Born” — Donald Nally, conductor (Dominic German, Maren Montalbano, Rebecca Myers, & James Reese; The Crossing)

Verdi: “Requiem – The Met Remembers 9/11” — Yannick Nézet-Séguin, conductor; Donald Palumbo, chorus master (Michelle DeYoung, Eric Owens, Ailyn Pérez, & Matthew Polenzani; The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)

Best Chamber Music/Small Ensemble Performance

Beethoven: “Complete String Quartets, Volume 2 – The Middle Quartets” — Dover Quartet

“Musical Remembrances” — Neave Trio

“Perspectives” — Third Coast Percussion

Shaw: :Evergreen” — Attacca Quartet

“What Is American” — PUBLIQuartet

Best Classical Instrumental Solo

Abels: “Isolation Variation” — Hilary Hahn

Bach: “The Art of Life” — Daniil Trifonov

Beethoven: “Diabelli Variations” — Mitsuko Uchida

“Letters for the Future” — Time for Three; Xian Zhang, conductor (The Philadelphia Orchestra)

“A Night in Upper Town – The Music of Zoran Krajacic” — Mak Grgić

Best Classical Solo Vocal Album

Eden — Joyce DiDonato, soloist; Maxim Emelyanychev, conductor (Il Pomo D’Oro)

How Do I Find You — Sasha Cooke, soloist; Kirill Kuzmin, pianist

Okpebholo: Lord, How Come Me Here? — Will Liverman, soloist; Paul Sánchez, pianist (J’Nai Bridges & Caen Thomason-Redus)

Stranger – Works for Tenor by Nico Muhly — Nicholas Phan, soloist (Eric Jacobson; Brooklyn Rider & the Knights; Reginald Mobley)

Voice of Nature – The Anthropocene — Renée Fleming, soloist; Yannick Nézet-Séguin, pianist

Best Classical Compendium

An Adoption Story — Starr Parodi & Kitt Wakeley; Jeff Fair, Starr Parodi & Kitt Wakeley, producers

Aspire —JP Jofre & Seunghee Lee; Enrico Fagone, conductor; Jonathan Allen, producer

A Concert for Ukraine — Yannick Nézet-Séguin, conductor; David Frost, producer

The Lost Birds — Voces8; Barnaby Smith & Christopher Tin, conductors; Sean Patrick Flahaven & Christopher Tin, producers

Best Contemporary Classical Composition

Akiho: “Ligneous Suite” — Andy Akiho, composer (Ian Rosenbaum & Dover Quartet)

Bermel: “Intonations” — Derek Bermel, composer (Jack Quartet)

Gubaidulina: “The Wrath of God” — Sofia Gubaidulina, composer (Andris Nelsons & Gewandhausorchester

Puts: “Contact” — Kevin Puts, composer (Xian Zhang, Time for Three & the Philadelphia Orchestra)

Simon: “Requiem for the Enslaved” — Carlos Simon, composer (Carlos Simon, MK Zulu, Marco Pavé, & Hub New Music)

Best Rock Album

Dropout Boogie by The Black Keys

The Boy Named If by Elvis Costello and the Impersonators

Crawler by Idles

Mainstream Sellout by Machine Gun Kelly

WINNER: Patient Number 9 by Ozzy Osbourne

Lucifer on the Sofa by Spoon

Photo: EW

From Minneapolis to Los Angeles: Lil Wayne Takes the Stage for the Welcome to Tha Carter Tour

Lil Wayne has recently been on the road to success with album releases, a presidential pardon, and numerous collaborations with other artists.

With the Welcome to Tha Carter Tour, he is now traveling and showcasing his talent. The tour will begin in Minneapolis in April and travel to a number of American cities, including Toronto, before coming to an end in Los Angeles in the middle of May.

Fans can listen to Lil Wayne’s latest hits and classic tracks. The rapper has a strong music catalog spanning his 20 years and his live performances are always full of energy and surprises.

From its fast-paced delivery to its electrifying stage presence, Lil Wayne never disappoints.

One of the most influential rappers of all time, Lil Wayne’s music still has a big influence on the hip-hop scene.

He includes Missy Elliott, Dr. Epic Records CEO Dre and Sylvia Rhone, who received the Global Impact Award from Black Music Collective.

This recognition is a testament to Lil Wayne’s lasting impact and impact on the music world.

Whether you’re a longtime fan of Lil Wayne’s music or new to it, the Welcome to the Carter Tour is not to be missed.

This tour will undoubtedly sell out, so be sure to buy your tickets as soon as possible. As Lil Wayne takes the stage and performs in a city near you, get ready for an unforgettable evening of energizing hip-hop.

Read also: Oscar Noms 2023: Prestige Films, Blockbusters, and International Dramas Make the Cut

Legendary Rapper

Rapper and hip-hop artist Lil Wayne, real name Dwayne Michael Carter Jr., is a legend from New Orleans, Louisiana.

He began his music career at the age of nine, when he was discovered by rapper Birdman, and went on to release his first album, Tha Block Is Hot, in 1999.

Since then, Lil Wayne has become one of the most recognizable and influential voices in the hip-hop genre, releasing 13 studio albums and numerous mixtapes that have been both critically acclaimed and commercially successful. 

He is widely recognized as one of the greatest rappers of all time, and has won multiple awards for his music, including four Grammy Awards.

One of the reasons for Lil Wayne’s influence on hip hop is his unique style. He is known for his quick-fire rapping, smooth flow, and his ability to seamlessly switch between different rhyming patterns. He has been credited with popularizing the use of punchlines and wordplay, which has become a staple of modern hip hop.

Another reason for Lil Wayne’s influence on hip hop is his innovative approach to songwriting. He has been credited with changing the way that rappers approach songwriting, incorporating more personal and introspective themes into his lyrics. 

His use of storytelling and self-reflection has inspired many up-and-coming artists to be more open and vulnerable in their own work.

Lil Wayne has also had a significant impact on the hip hop industry. He co-founded the record label Young Money Entertainment, which has helped to launch the careers of many successful artists, including Drake and Nicki Minaj. 

Through his label, he has also been instrumental in helping to develop the careers of other talented artists and has become an important figure in the hip hop community.

Challenges and Debuts

Lil Wayne revealed his 13th album, Funeral, in 2020 which debuted at number one on the US Billboard 200 chart. The album was well received by fans and critics alike, with many praising its emotional depth and musical range. 

In addition to his solo work, Lil Wayne has teamed up with a wide variety of artists over the years, including Rich the Kid, Latto, Run the Jewels, Roddy Ricch, Polo G, and Calboy.

In 2021, Lil Wayne was granted a presidential pardon by former President Donald Trump, which was widely seen as a controversial decision. 

Despite this, Lil Wayne has continued to make music and tour, and has recently announced a spring tour that will take him across the United States, with a stop in Toronto.

Lil Wayne’s influence on the hip-hop genre is undeniable, and his contributions to music will always be remembered. 

His creativity, style, and talent have made him a beloved and respected figure in the world of hip-hop, and he continues to push the boundaries of what is potentially doable in the genre. 

This year, he will receive a Global Impact Award from the Black Music Collective at the 2023 Grammys, alongside other influential musicians such as Missy Elliott, Dr. Dre, and Sylvia Rhone.

In conclusion, Lil Wayne is a true icon of the hip-hop genre, and his impact on music will continue to be felt for generations to come. His upcoming tour is sure to be a must-see event for fans, and is a testament to his enduring popularity and talent.

Read also: Lifetime Achievement and SeeHer Awards Presented at 28th Annual Critics Choice Awards

Lil Wayne Dates:

April 04 Minneapolis, MN – The Fillmore Minneapolis

April 06 Fargo, ND – Scheels Arena

April 07 Omaha, NE – Baxter Arena

April 08 Madison, WI – The Sylvee

April 09 Chicago, IL – Radius

April 11 Detroit, MI – The Fillmore Detroit

April 12 Toronto, Ontario – History

April 13 Boston, MA – House of Blues

April 16 New York, NY – Apollo Theater

April 17 Philadelphia, PA – The Fillmore Philadelphia

April 18 Silver Spring, MD – The Fillmore Silver Spring

April 20 Charlotte, NC – The Fillmore Charlotte

April 21 Raleigh, NC – The Ritz

April 22 Atlanta, GA – Tabernacle

April 24 Birmingham, AL – Iron City

April 26 St. Louis, MO – The Factory

April 27 Nashville, TN – Marathon Music Works

April 28 Cleveland, OH – House of Blues

April 30 Lexington, KY – Rupp Arena

May 02 Houston, TX – House of Blues

May 03 Dallas, TX – House of Blues

May 04 Austin, TX – Stubbs Waller Creek Amphitheater

May 06 Salt Lake City, UT – The Complex

May 07 Denver, CO – Fillmore Auditorium

May 09 Phoenix, AZ – The Van Buren

May 10 San Diego, CA – SOMA

May 12 San Francisco, CA – The Masonic

May 13 Los Angeles, CA – The Wiltern

Photo: Metro

Oscar Noms 2023: Prestige Films, Blockbusters, and International Dramas Make the Cut

Actors Riz Ahmed and Allison Williams revealed the 2023 Oscar nominees on Tuesday morning.

The highly anticipated list is a mix of prestige films, blockbusters and international dramas alongside high-profile contenders like “Everything Everywhere All at Once,” “TÁR,” “The Fabelmans,” “Top Gun: Maverick,” “Avatar: The Way of Water,” and “All Quiet on the Western Front” all received nods. 

The ceremony will be televised on ABC and will be hosted for the third time by Jimmy Kimmel, who hosted the 2017 and 2018 ceremonies. The show is produced by Glenn Weiss and Ricky Kirshner.

The upcoming ceremony will “return to a show that’s about a love of cinema, international cinema, and diverse artists,” teased Academy CEO Bill Kramer. He added that the 95th Academy Awards will feature some “great legacy surprises. “.

The 95th Annual Academy Awards will be held on Sunday, March 12 at 8 p.m. ABC ET/5pm PT.

The Oscars are one of the film industry’s most prestigious awards ceremonies. Each year, the Academy of Motion Picture Arts and Sciences recognizes outstanding achievement in filmmaking by awarding an Oscar statuette.

Notably, with the exception of a few years during World War II, the Oscars have been presented every year since 1929. At the Dolby Theatre in Hollywood, California, the ceremony usually takes place in late February or early March.

The show is broadcast live on television and is seen by millions of viewers around the world.

Oscar nominees are determined by the voting members of the Academy, which is made up of over 9,000 industry professionals. The voting process will be split in two, with the nominees announced in January and the winners announced at his March awards ceremony.

Read also: Lifetime Achievement and SeeHer Awards Presented at 28th Annual Critics Choice Awards

Oscar: Prestigious Award

The Academy Awards recognize outstanding performances in various categories, including Best Picture, Best Director, Best Actor, Best Supporting Actor, and Best Supporting Actress.

There are also categories for technical achievements, such as Best Cinematography, Best Original Score, and Best Visual Effects.

The Best Picture category is often considered the most prestigious, with past winners including classics such as “The Godfather,” “Schindler’s List,” and “The Lord of the Rings: The Return of the King.”

The Oscar ceremony itself is a star-studded event, with the biggest names in Hollywood walking the red carpet and taking to the stage to present and accept awards. The show also features live performances from some of the world’s biggest musicians, as well as comedic segments and montages celebrating the year in film.

In recent years, the Academy has made a concerted effort to increase diversity and inclusion among its nominees and winners. 

The #OscarsSoWhite controversy of 2015, which saw all 20 acting nominees that year being white, prompted the Academy to take steps to diversify its voting membership and increase representation of people of color and other underrepresented groups in the film industry.

The Oscars remain one of the most widely-watched and highly-anticipated awards shows in the entertainment industry, with the ceremony and its nominees and winners often making headlines around the world. 

The next Oscars ceremony is set to take place in March 2022, and as always, all eyes will be on the nominees, winners, and all the glitz and glamour that surrounds the event.

Read also: Golden Globe Awards 2023 Winners

Best Picture

All Quiet on the Western Front

Avatar: The Way of Water

The Banshees of Inisherin


Everything Everywhere All at Once

The Fabelmans


Top Gun: Maverick

Triangle of Sadness

Women Talking

Best Director

Martin McDonagh, The Banshees of Inisherin

Daniel Kwan and Daniel Scheinert, Everything Everywhere All at Once

Steven Spielberg, The Fabelmans

Todd Field, TÁR

Ruben Östlund, Triangle of Sadness

Best Actor

Austin Butler, Elvis

Colin Farrell, The Banshees of Inisherin

Brendan Fraser, The Whale

Paul Mescal, Aftersun

Bill Nighy, Living

Best Actress

Cate Blanchett, TÁR

Ana de Armas, Blonde

Andrea Riseborough, To Leslie

Michelle Williams, The Fabelmans

Michelle Yeoh, Everything Everywhere All at Once

Best Supporting Actor

Brendan Gleeson, The Banshees of Inisherin

Brian Tyree Henry, Causeway

Judd Hirsch, The Fabelmans

Barry Keoghan, The Banshees of Inisherin

Ke Huy Quan, Everything Everywhere All at Once

Best Supporting Actress

Angela Bassett, Black Panther: Wakanda Forever

Hong Chau, The Whale

Kerry Condon, The Banshees of Inisherin

Jamie Lee Curtis, Everything Everywhere All at Once

Stephanie Hsu, Everything Everywhere All at Once

Best Writing (Adapted Screenplay)

Edward Berger, Lesley Paterson, and Ian Stokell, All Quiet on the Western Front

Rian Johnson, Glass Onion: A Knives Out Mystery

Kazuo Ishiguro, Living

Screenplay by Ehren Kruger, Eric Warren Singer, and Christopher McQuarrie, story by Peter Craig and Justin Marks, Top Gun: Maverick

Sarah Polley, Women Talking

Best Writing (Original Screenplay)

Martin McDonagh, The Banshees of Inisherin

Daniel Kwan and Daniel Scheinert, Everything Everywhere All at Once

Steven Spielberg and Tony Kushner, The Fabelmans

Todd Field, TÁR

Ruben Östlund, Triangle of Sadness

Best Animated Feature Film

Guillermo del Toro’s Pinocchio

Marcel the Shell With Shoes On

Puss In Boots: The Last Wish

The Sea Beast

Turning Red

Best International Feature Film

All Quiet on the Western Front

Argentina, 1985



The Quiet Girl

Best Documentary Feature

All That Breathes

All the Beauty and the Bloodshed

Fire of Love

A House Made of Splinters


Best Film Editing

Mikkel E.G. Nielsen, The Banshees of Inisherin

Matt Villa and Jonathan Redmond, Elvis

Paul Rogers, Everything Everywhere All at Once

Monika Willi, TÁR

Eddie Hamilton, Top Gun: Maverick

Best Cinematography

James Friend, All Quiet on the Western Front

Darius Khondji, Bardo, False Chronicle of a Handful of Truths

Mandy Walker, Elvis

Roger Deakins, Empire of Light

Florian Hoffmeister, TÁR

Best Costume Design

Mary Zophres, Babylon

Ruth E. Carter, Black Panther: Wakanda Forever

Catherine Martin, Elvis

Shirley Kurata, Everything Everywhere All at Once

Jenny Beavan, Mrs. Harris Goes to Paris

Best Makeup and Hairstyling

Heike Merker and Linda Eisenhamerová, All Quiet on the Western Front

Naomi Donne, Mike Marino, and Mike Fontaine, The Batman

Camille Friend and Joel Harlow, Black Panther: Wakanda Forever

Mark Coulier, Jason Baird, and Aldo Signoretti, Elvis

Adrien Morot, Judy Chin, and Anne Marie Bradley, The Whale

Best Production Design

Christian M. Goldbeck and Ernestine Hipper, All Quiet on the Western Front

Dylan Cole, Ben Procter, and Vanessa Cole, Avatar: The Way of Water

Florencia Martin and Anthony Carlino, Babylon

Catherine Martin, Karen Murphy, and Bev Dunn, Elvis

Rick Carter and Karen O’Hara, The Fabelmans

Best Music (Original Song)

“Applause” from Tell It Like a Woman, music and lyrics by Dianne Warren

“Hold My Hand” from Top Gun: Maverick, music and lyrics by Lady Gaga and BloodPop

“Lift Me Up” from Black Panther: Wakanda Forever, music and lyrics by Tems, Rihanna, Ryan Coogler, and Ludwig Goransson

“Naatu Naatu” from RRR, music by M.M. Keeravaani, lyrics by Chandrabose

“This Is a Life” from Everything Everywhere All at Once, music by Ryan Lott, David Byrne, and Mitski, lyrics by Ryan Lott

Best Music (Original Score)

Volker Bertelmann, All Quiet on the Western Front

Justin Hurwitz, Babylon

Carter Burwell, The Banshees of Inisherin

Son Lux, Everything Everywhere All at Once

John Williams, The Fabelmans

Best Sound

Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel, and Stefan Korte, All Quiet on the Western Front

Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers, and Michael Hedges, Avatar: The Way of Water

Stuart Wilson, William Files, Douglas Murray, and Andy Nelson, The Batman

David Lee, Wayne Pashley, Andy Nelson, and Michael Keller, Elvis

Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon, and Mark Taylor, Top Gun: Maverick

Best Visual Effects

Frank Petzold, Viktor Müller, Markus Frank, and Kamil Jafar, All Quiet on the Western Front

Joe Letteri, Richard Baneham, Eric Saindon, and Daniel Barrett, Avatar: The Way of Water

Dan Lemmon, Russell Earl, Anders Langlands, and Dominic Tuohy, The Batman

Geoffrey Baumann, Craig Hammack, R. Christopher White, and Dan Sudick, Black Panther: Wakanda Forever

Ryan Tudhope, Seth Hill, Bryan Litson, and Scott R. Fisher, Top Gun: Maverick

Best Animated Short Film

The Boy, the Mole, the Fox, and the Horse

The Flying Sailor

Ice Merchants

My Year of Dicks

An Ostrich Told Me the World Is Fake, and I Think I Believe It

Best Live Action Short Film

An Irish Goodbye


Le Pupille

Night Ride

The Red Suitcase

Best Documentary Short

The Elephant Whisperers


How Do You Measure a Year?

The Martha Mitchell Effect

Stranger at the Gate

Photo: Haber Global

Lifetime Achievement and SeeHer Awards Presented at 28th Annual Critics Choice Awards

On Sunday, the CW broadcast live the 28th Annual Critics Choice Awards, which featured Chelsea Handler as host. The show provided viewers with a glimpse into the ongoing awards season.

Hosted by the Critics Choice Association, the Critics Choice Awards aim to recognize the best in film and television each year and can boost several awards campaigns leading up to the Oscars.

On the way into the night, A24’s Everything Everywhere All At Once led the film nominations with 14 nominations, followed closely by Steven Spielberg’s The Fabelmans with 11.

On the television side, Better Call Saul’s final season received five nominations, while ABC’s smash comedy Abbott Elementary received six.

At the awards ceremony, Everything Everywhere won the top awards of the night: Best Picture, Best Supporting Actor (Ke Huy Quan), Best Director (Daniel Kwan and Daniel Scheinert), Best Original Screenplay, Received Best Editing Award.

Better Call Saul proved to be a domineering contender in the television awards, winning Best Drama Series, Best Actor in a Drama Series for Bob Odenkirk and Best Supporting Actor in a Drama Series for Giancarlo Esposito.

Abbott Elementary won Best Comedy Series and Best Supporting Actress in a Comedy Series for Sheryl Lee Ralph, and The Dropout won Best Limited Series and Best Actress in a Limited Series for Amanda Seyfried. Both Abbott Elementary and The Dropout received two awards each.

John Goodman presented Jeff Bridges with the Lifetime Achievement Award, while Kate Hudson presented fellow Glass Onion member Janelle Monae with the Sheehar Award.

Awards Show 

Since the Critics’ Choice Awards were first announced in 2011, they have grown to become one of television’s most prestigious awards. The award is unique in that it is voted for by television critics and journalists rather than industry professionals and the general public.

This allows for a more diverse range of voices and perspectives to be represented in the selection of winners.

One of the most notable aspects of the Critics’ Choice Awards is the wide range of categories that are recognized. Awards are given for performances in both drama and comedy series, as well as for miniseries and made-for-TV movies. 

There are also categories for individual performances, such as best actor and actress, as well as awards for writing, directing, and production.

The Critics’ Choice Awards have also been praised for their inclusion of streaming and cable television shows, which have increasingly become a major part of the television landscape in recent years. This has helped to ensure that the awards are representative of the most current and innovative trends in television.

It’s worth noting that the Critics Choice Association and the Academy, which votes on the Oscars, don’t share membership, so while the Critics Choice Awards winners may align with eventual Oscar winners, they are not a guaranteed predictor of the Academy’s choices.

The Critics Choice Awards provide a valuable opportunity for films, television shows, and actors to gain recognition and momentum in the competitive awards season. The complete list of winners can be found on the Critics Choice Association’s website and below. 

Read also: Golden Globe Awards 2023 Winners

Critics Choice Awards Winners:


Best Picture

Everything Everywhere All at Once

Best Actor

Brendan Fraser, The Whale

Best Actress

Cate Blanchett, Tár

Best Supporting Actor

Ke Huy Quan, Everything Everywhere All at Once

Best Supporting Actress

Angela Bassett, Black Panther: Wakanda Forever

Best Young Actor/Actress

Gabriel LaBelle, The Fabelmans

Best Acting Ensemble

Glass Onion: A Knives Out Mystery

Best Director

Daniel Kwan and Daniel Scheinert, Everything Everywhere All at Once

Best Original Screenplay

Daniel Kwan and Daniel Scheinert, Everything Everywhere All at Once

Best Adapted Screenplay

Sarah Polley, Women Talking

Best Cinematography

Claudio Miranda, Top Gun: Maverick

Best Production Design

Florencia Martin, Anthony Carlino, Babylon

Best Editing

Paul Rogers, Everything Everywhere All at Once

Best Costume Design

Ruth E. Carter, Black Panther: Wakanda Forever

Best Hair and Makeup


Best Visual Effects

Avatar: The Way of Water

Best Comedy

Glass Onion: A Knives Out Mystery

Best Animated Film

Guillermo del Toro’s Pinocchio

Best Foreign Language Film


Best Song

“Naatu Naatu,” RRR

Best Score

Hildur Guðnadóttir, Tár

Read also: Adele Kickstarts Las Vegas Residency


Best Drama Series

Better Call Saul (AMC)

Best Actor in a Drama Series

Bob Odenkirk – Better Call Saul (AMC)

Best Actress In A Drama Series

Zendaya – Euphoria (HBO)

Best Supporting Actor In A Drama Series

Giancarlo Esposito – Better Call Saul (AMC)

Best Supporting Actress In A Drama Series

Jennifer Coolidge – The White Lotus (HBO)

Best Comedy Series

Abbott Elementary (ABC)

Best Actor In A Comedy Series

Jeremy Allen White – The Bear (FX)

Best Actress In A Comedy Series

Jean Smart – Hacks (HBO Max)

Best Supporting Actor In A Comedy Series

Henry Winkler – Barry (HBO)

Best Supporting Actress In A Comedy Series

Sheryl Lee Ralph – Abbott Elementary (ABC)

Best Limited Series

The Dropout (Hulu)

Best Movie Made For Television

Weird: The Al Yankovic Story (The Roku Channel)

Best Actor In A Limited Series Or Movie Made For Television

Daniel Radcliffe – Weird: The Al Yankovic Story (The Roku Channel)

Best Actress In A Limited Series Or Movie Made For Television

Amanda Seyfried – The Dropout (Hulu)

Best Supporting Actor In A Limited Series Or Movie Made For Television

Paul Walter Hauser – Black Bird (Apple TV+)

Best Supporting Actress In A Limited Series Or Movie Made For Television

Niecy Nash-Betts – Dahmer – Monster: The Jeffrey Dahmer Story (Netflix)

Best Foreign Language Series

Pachinko (Apple TV+)

Best Animated Series

Harley Quinn (HBO Max)

Best Talk Show

Last Week Tonight with John Oliver (HBO)

Best Comedy Special

Norm Macdonald: Nothing Special (Netflix)

Photo: The Scottish Sun

Golden Globe Awards 2023 Winners

The Hollywood Foreign Press Association (HFPA) hosts the annual Golden Globe Awards ceremony to recognize excellence in film and television.

For the first time in its 80-year history, the ceremony was held, but this year’s event was noteworthy because of the recent racial exclusion scandal that has plagued the organization.

No one in the 87 members of the HFPA was Black, which led to widespread criticism and calls for reform in 2021, according to a Los Angeles Times report.

The Golden Globe Awards ceremony is typically broadcast by NBC, but the network decided not to do so in 2021. As a result of the scandal, several well-known people and organizations, including actor Tom Cruise, returned their awards.

In response to the scandal, the HFPA promised to take action to encourage more inclusivity within the group.

This has involved making an effort to enlist a more diverse group of members and increasing transparency regarding the organization’s finances and governance. Additionally, the association has promised to increase funding for grants and scholarships for underrepresented groups.

Many in the industry have called for more to be done to address the underlying problems with race and representation in Hollywood while the HFPA’s reform efforts are still ongoing.

Some people have also demanded a complete makeover of the awards show, contending that the HFPA’s track record of scandals has damaged the credibility of the Golden Globes.

Read also: Adele Kickstarts Las Vegas Residency

Remains Among the Prestigious

In spite of these difficulties, the Golden Globe Awards continue to be one of the most prestigious and well-attended occasions in the entertainment sector, and numerous talented actors, directors, and writers continue to be honored at the ceremony each year.

However, it will be important to see if the association can get a hold of the situation and actively make changes so that the awards ceremony can be truly inclusive and honoring the talents of all people.

The night began with host Jerrod Carmichael taking the stage and explaining how he came to be the host, with a quip about being Black and a detailed account of his decision-making process. 

The trophy distribution then began, with several notable films and performances taking home awards.

The Banshees of Inisherin, a tragicomedy set on an Irish island, led all movies with eight nominations and ultimately took home the best comedy film trophy, while Colin Farrell won in the best actor in a comedy/musical category. 

Writer-director Martin McDonagh also took home the best screenplay award.

Another film, Everything Everywhere All at Once, also fared well, with Michelle Yeoh and Ke Huy Quan both winning in the best actress and best supporting actor in a series, limited series, or motion picture made for television categories respectively.

The Fablemans also came into frame, with the film winning best drama film and Steven Spielberg winning best director.

It was a night of diverse wins, showcasing the talent and different voices of various cultures in the film industry and it was not just limited to a few people. The night was a reminder that the industry needs to look beyond their usual suspects and recognize talents from all backgrounds.

Read also: Belle and Sebastian Reveals Tour Dates for North American Leg in 2023

Golden Globes 


Best Motion Picture — Drama

The Fabelmans

Best Motion Picture — Musical or Comedy

The Banshees of Inisherin

Best Motion Picture — Non-English Language

Argentina, 1985

Best Motion Picture — Animated

Guillermo del Toro’s Pinocchio

Best Director — Motion Picture

Steven Spielberg, The Fabelmans

Best Screenplay — Motion Picture

Martin McDonagh, The Banshees of Inisherin

Best Performance by an Actor in a Motion Picture — Drama

Austin Butler, Elvis

Best Performance by an Actress in a Motion Picture — Drama

Cate Blanchett, Tár

Best Performance by an Actor in a Motion Picture — Musical or Comedy

Colin Farrell, The Banshees of Inisherin

Best Performance by an Actress in a Motion Picture — Musical or Comedy

Michelle Yeoh, Everything Everywhere All at Once

Best Performance by an Actor in a Supporting Role in any Motion Picture

Ke Huy Quan, Everything Everywhere All at Once

Best Performance by an Actress in a Supporting Role in any Motion Picture

Angela Bassett, Black Panther: Wakanda Forever

Best Original Score — Motion Picture

Justin Hurwitz, Babylon

Best Original Song — Motion Picture

“Naatu Naatu” by M.M. Keeravani, Kala Bhairava, Rahul Sipligunj from RRR


Best Television Series – Musical or Comedy

Abbott Elementary

Best Television Series – Drama

House of the Dragon

Best Performance by an Actor in a Television Series – Drama

Kevin Costner, Yellowstone

Best Performance by an Actress in a Television Series – Drama

Zendaya, Euphoria

Best Performance by an Actress in a Television Series – Musical or Comedy

Quinta Brunson, Abbott Elementary

Best Performance by an Actor in a Television Series – Musical or Comedy

Jeremy Allen White, The Bear

Best Performance by a Supporting Actor in a Television Series

Tyler James Williams, Abbott Elementary

Best Performance by a Supporting Actress in a Television Series

Julia Garner, Ozark

Best Television Limited Series or Motion Picture Made for Television

The White Lotus

Best Performance by an Actor in a Limited Series or Motion Picture Made for Television

Evan Peters, Dahmer — Monster: The Jeffrey Dahmer Story

Best Performance by an Actress in a Limited Series or Motion Picture Made for Television

Amanda Seyfried, The Dropout

Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television

Jennifer Coolidge, The White Lotus

Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television

Paul Walter Hauser, Black Bird

Photo: Deadline

Adele Kickstarts Las Vegas Residency

Adele sent her apologies on the opening night of her Las Vegas residency.

The singer played her much-anticipated show at Caesars Palace on Friday night. She then apologized to concert-goers for suddenly canceling her first-ever return, Weekends with Adele, in January.

“I’m truly sorry for any inconvenience and any disappointment that I’ve caused. But we’re here tonight together,” she stated, according to Variety. But she stressed that postponing the concert was “the best decision I ever made.” 

In addition, Adele thanked Caesars Palace in Las Vegas for its unending support following rumors of her involvement, possible location changes, and further whirlwinds. This is after her shocking delay.

Read also: Hollywood’s Favorite Bartending Service, Magic and Cocktails, Shakes the LA Party Scene by Marrying Magic with Mixology

January Delay

In January, the “Easy on Me” singer cited “delivery delays and COVID” as reasons for the concert’s delay.

“There has been a lot of s— written about me since I canceled those shows. I tell you – 90 percent of it is absolutely, completely made-up,” she stated in a clip from the event on Twitter. 

“There’s been rumors that I’ve moved hotels and that I was moving theaters and all this, and never once did they ask any questions. They’ve been amazing. So, thank you for having me, Caesars. I’m so honored to be playing here. I really, really am.” 

Adele added: “I had no idea when I wrote [her 2011 album] 21 that my life would end up becoming what it is. And there are so many amazing things to it as well, and some that aren’t amazing. And I’ll be honest about that.” 

She laughed before she continued: “I’m sure you know that from me anyway. That’s why I f— off for six years all the time.” 

That night, Adele entertained the crowd with her hits. It consisted of “Set Fire to the Rain,” “Hello,” “I Drink Wine,” “Rolling in the Deep,” and “Skyfall.” 

Also, she walked through the audience singing her 2015 hit “When We Were Young” and ended up kissing her boyfriend, Rich Paul.

Read also: Belle and Sebastian Reveals Tour Dates for North American Leg in 2023

Las Vegas Concert Nervousness

Before the Las Vegas concert, Adele posted on Twitter that she felt “highly emotional” and “incredibly nervous” about it. 

Weekends With Adele, which had an additional eight performances, regards the musician’s first onstage appearance since her July Hyde Park concert. 

“I feel a million miles away from home. I can’t stop thinking about when I was little and saw Tom Jones in Mars Attack and thought, ‘Blimey, how did he get from Wales to Las Vegas!?’” Adele jested. 

“I always get sacred before the show. And I take it as a good sign because it means I care and means I just want to do a good job. Maybe it’s because I didn’t start when I was supposed to. Maybe it’s because it’s opening night.” 

She ended her statement, saying: “Maybe it’s because Hyde Park went so great. Maybe it’s because I love the show – I don’t know. But it’s safe to say I’ve never been more nervous before a show in my career. But at the same time, I wish today was tomorrow! I can’t wait to see you out there.” 

In recent times, Adele bagged seven Grammy nominations for her most recent album, 30. Furthermore, she is set to perform on Friday and Saturday nights at Caesars Palace’s Colosseum through March 25, 2023.

Photo: Blogspot