Entertainment Post

Dan Reed Criticizes New Michael Jackson Film for Ignoring Abuse Allegations

Leaving Neverland director Dan Reed has slammed Lionsgate’s upcoming Michael Jackson biopic, calling it a romanticization of “a man who abused children.”

In a recent comment for The Observer, Reed covered a 2019 documentary about the late singer and spoke about the silence surrounding the new film.  

Reed’s documentary, Leaving Neverland, chronicled two men, Wade Robson and James Safechuck, whom Jackson accused of sexually abusing him as a child. 

The movie attracted a lot of interest and controversy, with some Jackson fans arguing for his innocence while others demanded that his legacy be reexamined.

In the commentary, Reid claims the upcoming biopic will ignore allegations of abuse and send a dangerous message by portraying Jackson as a hero.  

“If a pedophile is rich and popular enough, society will forgive him,” Reed writes. “What the total absence of outrage accompanying the announcement of this movie tells us is that Jackson’s seduction is still a living force, operating from beyond the grave.”

Reid also criticized the press’s “deafening silence” over the film, saying no one had called for the film to be canceled. He believes this silence indicates that Jackson’s influence remained strong even after his death.  

“No one is talking about ‘cancelling’ this movie, which will glorify a man who raped children,” he said. 

Reed’s opinion piece highlights the ongoing discussion surrounding Jackson’s legacy and the effect that abuse allegations can have on a person’s reputation, even though the upcoming biopic has not received much press attention.

Reed Criticism

The film industry has a responsibility to carefully consider the messages it sends, and Reed’s comments serve as a reminder of the importance of taking allegations of abuse seriously.  

“It seems that the press, his fans and the vast older demographic who grew up loving Jackson are willing to set aside his unhealthy relationship with children and just go along with the music,” Reed added. 

“To them I say this: even if you do not believe a word of what his many accusers have said; even if you are not concerned by the police investigations and the massive payouts to halt legal proceedings, how do you explain the completely uncontested fact that for years Jackson spent innumerable nights alone in bed with young boys?”

He continued, “To the filmmakers, I say: How will you represent the moment when Jackson, a grown man in his 30s, takes a child by the hand and leads him into that bedroom? How will you depict what happens next? 

“By sidestepping the question of Jackson’s predilection for sleeping with young boys, you are broadcasting a message to millions of survivors of child sexual abuse. That message is: If a pedophile is rich and popular enough, society will forgive him.”

Ultimately, Reed’s op-ed is a powerful call to action, urging the public to question the glorification of a person accused of abuse and to hold those responsible accountable for the messages they send. 

It’s a reminder that the conversation surrounding Jackson’s legacy is far from over, and that the impact of abuse allegations should not be ignored or dismissed.

Read also: ‘Thunderbolts’ Movie Adds Ayo Edebiri to Ensemble Cast of Marvel Villains

The Biopic by Lionsgate

Antoine Fuqua, director of “Emancipation” and “Training Day,” has been selected by Lionsgate to direct the Michael Jackson biopic, “Michael.” 

The film will focus on the life and music of the King of Pop, who rose to fame as a young child with the musical group Jackson 5 and later became a celebrated solo artist.

However, Jackson was also a controversial figure, with allegations of child sex abuse being made against him. In 2005, he was acquitted of charges related to the abuse allegations. The recent documentary “Finding Neverland” has brought the allegations back into the spotlight, with the Jackson estate denying the allegations and calling them “absolutely false.”

Lionsgate has stated that the film, made in partnership with John Branca and John McClain, co-executors of Jackson’s estate, will “explore all aspects of Michael’s life.” It remains to be seen how the film will address the allegations. Michael Jackson passed away in 2009 at the age of 50.

Lionsgate has not yet responded to a request for comment on the op-ed.

Read also: 80 for Brady’s Cast Rita Moreno and More Discusses the Importance of Older Women in Film

Lawsuit Against HBO

Previously, the Michael Jackson estate has won an appeal in a lawsuit against HBO over its documentary “Leaving Neverland.” The film, which aired in 2019, contained allegations of child sexual abuse against Jackson. 

The estate sued HBO for violating a non-disparagement clause in a 1992 contract between the network and Jackson, which the estate claimed the documentary violated.

In a unanimous decision, the appeals court ruled that the non-disparagement clause did not apply to the documentary because it was a matter of public concern. The court also noted that HBO had a First Amendment right to air the documentary.

The documentary, directed by Dan Reed, centered on two men, Wade Robson and James Safechuck, who claimed they were sexually abused by Jackson as children. The film received widespread attention and sparked controversy, with Jackson’s estate and supporters vehemently denying the allegations.

This ruling is a setback for the Jackson estate, which has been seeking to protect the late singer’s legacy and reputation. The estate has also filed a separate lawsuit against Robson and Safechuck for making false claims against Jackson.

The ruling in the HBO lawsuit reinforces the importance of freedom of speech and the media’s right to report on matters of public concern, even if the content is controversial. 

The Jackson estate is expected to continue to fight to protect the late singer’s legacy, while the documentary remains a highly debated topic among fans and the general public.

Photo: Insider

‘Thunderbolts’ Movie Adds Ayo Edebiri to Ensemble Cast of Marvel Villains

The rising star of the Chicago restaurant scene, Ayo Edebiri, is now prepared to challenge the Marvel Cinematic Universe. The 27-year-old actress, best known for her starring role as Sydney, the sous chef on The Bear, has landed a part in Thunderbolts, the upcoming series from Marvel.

Edebiri’s inclusion in a cast of Marvel villains has been confirmed by EW.

Famous actors like Florence Pugh as Yelena Belova, Sebastian Stan as Bucky Barnes, Hannah John-Kamen as Ghost, David Harbour as the Red Guardian, Olga Kurylenko as Taskmaster, Wyatt Russell as John Walker, and Julia Louis-Dreyfus as Contessa Valentina Allegra de Fontaine are among those who appear in it.

Fans are eager to see what Edebiri brings to the table even though the specifics of her role in the series are still unknown. Her portrayal in The Bear has already won praise from critics and viewers alike, and her joining the Thunderbolts cast will undoubtedly be appreciated.

In Thunderbolts, the darker side of the Marvel universe will be explored, with a particular emphasis on a group of villains who are compelled to cooperate in order to complete risky missions. With Edebiri’s involvement, the show is guaranteed to be a success and is anticipated to be a novel take on the superhero genre.

Edebiri’s move to the Marvel Cinematic Universe is a significant step in her career as a budding actor.

Read also: Non-linear Single-Shot Film Iravin Nizhal Sets the Pace for a Unique Cinematic Artistry in the Indian Film Industry

The Breakthrough

The Thunderbolts film will be directed by Jake Schreier from Paper Towns and written by Eric Pearson from Black Widow. With a July 26, 2024 release date, the movie will wrap up Marvel’s Phase 5.

The Thunderbolts, a group of reformed supervillains, first appeared in Marvel comics in 1997. They are known for taking on dangerous missions for the government, similar to the Suicide Squad.

Deadline first reported that rising star Edebiri has joined the cast. Edebiri became a breakout star for her portrayal in The Bear, and has been nominated for several awards including the Critics’ Choice Awards, Gotham Independent Film Awards, and Independent Spirit Awards. 

She has also lent her voice to Netflix’s animated comedy Big Mouth and written for What We Do in the Shadows. Edebiri recently starred in the Sundance comedy Theater Camp, which is set to premiere later this year.

Fans are excited to see how Edebiri will bring her unique talents to the Thunderbolts film, and what kind of dynamic the ragtag group of characters will have on the big screen. 

With Schreier and Pearson at the helm, and Edebiri in the cast, the Thunderbolts movie is shaping up to be a thrilling addition to the Marvel Cinematic Universe.

Thunderbolts Film

Created by Kurt Busiek and Mark Bagley, the team was originally formed as a ruse by villain Baron Zemo to infiltrate and sabotage the Avengers. 

However, the team eventually becomes a legitimate force for good, taking on dangerous missions for the government and working to redeem themselves for their past crimes.

The team has seen a number of line-up changes over the years, with notable members including Hawkeye, Deadpool, and Venom. The team’s leader, Baron Zemo, is also a key member and serves as the team’s moral compass.

The Thunderbolts have had several series and tie-ins over the years, and are known for tackling darker, more mature themes compared to other Marvel comics. The team’s focus on redemption and second chances has resonated with fans and has resulted in a dedicated following.

Fans have been eagerly awaiting a Thunderbolts adaptation in the Marvel Cinematic Universe, and it was recently announced that a film is in the works with Paper Towns director Jake Schreier at the helm and Black Widow writer Eric Pearson writing the script. 

The film is set to close out Marvel’s Phase 5 and will be released on July 26, 2024.

Ayo Edebiri

Ayo Edebiri is a rising star in the entertainment industry, known for her acting, writing, and voice acting talents. 

She first gained attention for her role in the independent film The Bear, which earned her critical acclaim and nominations for several awards including the Critics’ Choice Awards, Gotham Independent Film Awards, and Independent Spirit Awards.

Edebiri has also made a name for herself as a voice actor, lending her voice to the Netflix animated comedy series Big Mouth. She has also written for other popular TV shows such as What We Do in the Shadows.

Most recently, Edebiri starred in the Sundance comedy Theater Camp, which is set to premiere later this year. The film is already generating buzz and is expected to further establish Edebiri as a force to be reckoned with in the entertainment industry.

Read also: 80 for Brady’s Cast Rita Moreno and More Discusses the Importance of Older Women in Film

Contribution to the Community

But it’s not just her acting that has fans talking, Edebiri is also known for her activism and her commitment to representation in Hollywood. She is a vocal advocate for increasing representation and opportunities for people of color and the LGBTQ+ community in the industry.

Edebiri’s talent, activism, and dedication to representation make her a role model for many, and her star is only set to rise in the coming years. 

Fans are eagerly awaiting her next project, and it was recently announced that she has joined the cast of the highly-anticipated Marvel Thunderbolts film, which is set to close out Marvel’s Phase 5 and will be released on July 26, 2024.

With her diverse set of skills, Edebiri is a unique and exciting addition to the Thunderbolts cast and fans are excited to see her bring her unique talents to the Marvel Cinematic Universe. With her career on the rise, Ayo Edebiri is definitely a name to watch in the entertainment industry.

Photo: The Sun

80 for Brady’s Cast Rita Moreno and More Discusses the Importance of Older Women in Film

The upcoming 80 for Brady sports comedy is generating a lot of buzz, thanks in part to its star-studded cast of legendary actresses. Jane Fonda, Sally Field, Rita Moreno and Lily Tomlin star in the film and recently stopped by The Kelly Clarkson Show to promote it.

The four actresses had a blast while appearing on the show, and things quickly got out of hand. They shared some hilarious behind-the-scenes stories from the film and their experiences working together. 

Additionally, they talked about how important it is for older women to see themselves represented and for Hollywood to be diverse.

One of the highlights of the interview was a tour of the backstage area, including the changing rooms. With over 300 years of acting experience together, the group of women couldn’t pass up the chance to have some fun in the dressing room.

Furthermore, they tell jokes and take playful photos to show that they are still young at heart.

Fans are eagerly anticipating the release of 80 for Brady after a successful press tour so far. It’s not surprising that the movie is getting a lot of buzz given its talented cast. The movie will undoubtedly be a success with viewers if it’s even half as entertaining as the press tour.

In the Interview

In a recent interview with Hollywood’s “Fab Four” – Jane Fonda, Dolly Parton, Lily Tomlin and Sandra Field – talk show host Kelly Clarkson asked the iconic actresses about their fitness and exercise experiences in their youth. 

While all of the women had participated in Jane Fonda’s iconic workout routines, Field and Moreno went above and beyond by attending her classes in-person in California’s San Fernando Valley. 

Moreno jokingly asked Fonda if she remembered her, to which Fonda deadpanned “No.” But she did remember Field.

However, the conversation quickly turned into a lighthearted and comedic exchange as Clarkson asked who among the four was the flirtiest. 

Moreno shared an amusing story about a conversation she had with Fonda about sex, to which the 90-year-old West Side Story actress simply replied that she was over it. But a week later, while they were filming a scene in a locker room, that story went flying out in all directions.

Overall, the interview was a fun and entertaining look into the lives of these beloved Hollywood icons and the dynamic between them. The conversation was reminiscent of a full-blown Golden Girls episode, leaving the audience wanting more.

Read also: Ron Howard’s Vision for a ‘Backdraft’ TV Series

Moreno and Her Short Story

Moreno shared a humorous anecdote about her experience on the set of the movie “80 for Brady.” 

Moreno, who is now 90 years old, recounts entering the locker room and being surprised by the pheromones in the air. Despite her age, she notes that a “little ovary” inside of her was still saying “Everybody up!”

“In the locker room are these amazing, amazing people. The guys in the movie,” Moreno stated. 

“We’re entering the room and to my absolute amazement — I have to stand up for this — to my absolute amazement, I swear to God, I take a deep breath and … I say to myself, ‘Pheromones.’ And then I’m talking to myself, I go, ‘You’re 90, for God’s sake, you’re 90.'”

This lighthearted comment not only showcases Moreno’s lively spirit and sense of humor, but also touches on the idea that age does not have to limit one’s sexuality. 

“You’re alive!” Clarkson reminded her.

“And you know, I know now,” Moreno added, “somewhere in here, there’s a little ovary saying, ‘Everybody up!'”

Moreno’s co-star, Clarkson, also reminds her that “You’re alive!” highlighting the importance of living in the present and not letting age define one’s experiences.

As fans of the hit Netflix show “Grace and Frankie” say goodbye to the series, it’s clear that Moreno’s character will be missed. However, her relatable and candid comment serves as a reminder that even at 90 years old, there is still so much life to be lived.

Read also: Legendary Composer John Williams Announces He Will Not Retire from Film Scores

The Power Four

“80 for Brady” is a movie that tells the story of a group of seniors who decide to take a road trip together to fulfill a lifelong dream. The movie features an all-star cast of talented actors and actresses who bring their unique performances to the characters.

The lead of the movie is played by legendary actress, Rita Moreno, who plays the role of Maria. Moreno’s portrayal of Maria’s vitality and sense of humor is a highlight of the movie and showcases her acting range, even at the age of 90. 

Moreno brings a relatable and candid commentary on the subject of aging and sexuality.

The movie also features veteran actors like Jane Lynch and Sam Elliott, who play the roles of Linda and Jack, respectively. Lynch’s portrayal of Linda’s strength and determination is a highlight of the movie, while Elliott’s portrayal of Jack’s vulnerability and wisdom adds depth to the story.

Another notable cast member is Michael Cera, who plays the role of David, the grandson of Maria. Cera’s portrayal of David’s struggling with getting older and his relationship with his grandmother bring a different perspective to the story.

The cast also includes talented actors such as Bradley Whitford, Holland Taylor, and June Squibb, who each bring their unique performances to their respective roles.

The cast of “80 for Brady” is a diverse group of actors and actresses who bring their unique talents to the movie. The chemistry between the cast members is evident on screen, and their performances are sure to resonate with audiences of all ages. 

The movie is a heartwarming and relatable story that highlights the importance of fulfilling one’s dreams and living in the present, regardless of one’s age.

Photo: Closer Weekly

Ron Howard’s Vision for a ‘Backdraft’ TV Series

The trend of turning movies into television shows is widespread in the entertainment industry, and Ron Howard, the director, has been involved in a fair number of projects that have made the transition to the small screen.

However, if Howard could choose which movie to adapt next, he’d pick 1991’s Backdraft.

In the movie Backdraft, Kurt Russell and William Baldwin play two firefighter brothers who are compelled to cooperate when a perilous arsonist visits Chicago. 

The movie is renowned for its tense and perilous fire sequences, which were recorded on camera while the movie was being filmed.

In a recent interview with EW, Howard said, “Backdraft would be really good. Backdraft would be fun. You could get the scope and the intensity that we had to do all in-camera — now we could do it efficiently and safely.”

The director believes Backdraft to TV will capture the intense firing sequence more efficiently and safely. Advances in technology make it possible to create realistic and spectacular fire scenes without endangering the actors or crew.

“We were kind of on the borderline there when you throw the safety question into what we were doing,” he stated. “I was so relieved when we wrapped. But now I believe we could tackle it and be just as ambitious visually and be a little safer.”

Successful Adaptations: Parenthood and Friday Night Lights

Ron Howard is a well-known and respected name in Hollywood, known for his work as a director, producer and actor.

One of his most successful endeavors as a producer was the adaptation of the 1989 film Parenthood into a hit TV series for NBC. The show ran for six seasons from 2010 to 2015 and was produced by Howard and Brian Grazer’s Imagine Entertainment. 

The series was created by Jason Katims, who also worked on Howard’s beloved series Friday Night Lights.

In recent times, he served as executive producer on another one of his iconic 1980s titles, Lucasfilm’s Willow. 

The series received a new lease on life on Disney+, with the first season introducing the original character of Willow alongside the children of the heroes from the 1988 movie.

Howard has a long list of credits to his name, and many of his titles could be ripe for new life on streaming platforms or network television. One title that Howard believes would be a natural fit for this environment is Backdraft. 

The 1991 film, which Howard directed and produced, tells the story of two brothers who are firefighters and the dangerous situations they face on the job. With the popularity of shows like Chicago Fire and 9-1-1, a Backdraft series could be a hit with audiences.

“It’s a great world and there have been some shows around firehouses,” he contemplated. “There’s something about a family of firefighters.”

But it doesn’t mean that it’s already in development. 

“We’re not actively working on it,” Howard adds. “Although Brian Grazer talks about it from time to time, so maybe one of these days.”

Read also: Legendary Composer John Williams Announces He Will Not Retire from Film Scores

Director of Iconic Films: Howard

Ron Howard is a Hollywood veteran known for his work as a director, producer, and actor. With a career spanning over six decades, Howard has become a household name in the entertainment industry.

Howard began his career as a child actor, starring in the iconic TV series “The Andy Griffith Show” and “Happy Days.” He quickly transitioned to directing, and his first feature film, “Grand Theft Auto,” was a box office success. 

He went on to direct several more films, including “Cocoon,” “Apollo 13,” “A Beautiful Mind,” and “Frost/Nixon.”

One of Howard’s most successful endeavors as a producer was the adaptation of the 1989 film “Parenthood” into a hit TV series for NBC. 

The show ran for six seasons from 2010 to 2015 and was produced by Howard and Brian Grazer’s Imagine Entertainment. The series was created by Jason Katims, who also worked on Howard’s beloved series “Friday Night Lights.”

Recently, Howard played as executive producer on another one of his iconic 1980s titles, Lucasfilm’s “Willow.” 

The series received a new lease on life on Disney+, with the first season introducing the original character of Willow alongside the children of the heroes from the 1988 movie.

Read also: ‘Avatar: The Way of Water’ Enters the New Year as Top 1 Film

A Star on the Hollywood Walk of Fame

Besides his work in film and television, Howard has also made a name for himself in the world of documentaries. 

His production company, Imagine Documentaries, has produced several critically acclaimed documentaries, including “The Beatles: Eight Days a Week – The Touring Years” and “Rebuilding Paradise.”

Throughout his career, Howard has received numerous accolades for his work, including two Academy Awards, four Golden Globe Awards, and a Kennedy Center Honor. He has also been honored with a star on the Hollywood Walk of Fame.

In conclusion, the award-winner is a talented and accomplished producer, director and actor. He has left a lasting impact on the entertainment industry and continues to entertain audiences with his work. 

With a long list of titles to his name, Howard’s work is sure to continue to entertain audiences for years to come.

Photo: Town Square

Non-linear Single-Shot Film Iravin Nizhal Sets the Pace for a Unique Cinematic Artistry in the Indian Film Industry

The filmmaking industry is a world on its own, filled with multi-talented creators defying the odds and bringing imaginative stories to life in an excellent instinctual way. One such filmmaker is Radhakrishnan Parthiban, a creator par excellence who conceived and wrote the groundbreaking film Iravin Nizhal

Making history as the world’s first non-linear single-shot film, Iravin Nizhal is set to revolutionize the film industry and set the bar high for upcoming projects in the Indian film scene and worldwide. With an enormous set of 59 settings, over 300 actors, 150 technicians, and numerous costume and makeup changes spanning 50 years of periods, the film project is a beautifully choreographed masterpiece blended into a single shot after a painstaking 90 days of rehearsals.

This Oscar-worthy project was written by R. Parthiban, a three-time winner of the prestigious Indian National Film Awards who also played the protagonist in the story. Renowned for championing culturally-rooted themes in his films, Parthiban has acted in over 72 films, directed 15, and produced 12. His undeniable expertise on the silver screen has earned him numerous accolades, and the avid storyteller is acknowledged as a leading visionary among new-wave filmmakers in India. 

The suspense-filled plot of Iravin Nizhal follows the life of the protagonist, Nandhu, a financier, as he journeys through the struggles of his internal guilt while searching for his mortal rival. Non-linear storytelling allows the audience to fully immerse themselves in the plotline and connect the dots while relishing every twist and turn. In addition to its adult crew, the one-shot film also had children and animals in the supporting cast, expertly trained to follow the performance of the choreographed scene. On top of that, the film was shot under different weather conditions, with technological, social and historical aspects perfectly integrated into the narrative to connect with the viewers. 

Aside from R. Parthiban’s undeniable talents, versatility and artistry taking the Indian film scene to the next level, the film’s music and background score were crafted by Academy Award Winner AR Rahman, internationally renowned for his work in the 2008 film Slumdog Millionaire. In 2010, the Indian government awarded AR Rahman the ‘Padma Bhushan,’ the nation’s third-highest civilian award. 

Other big names lending their expertise to the revolutionary project include Academy Award winner Craig Mann, a sound expert best renowned for his work in the film Whiplash. He is the Supervising Sound Designer for the film. Another top name is the project’s VFX supervisor Cottalango Leon, an Indian-American computer graphics technician who won a joint Academy Award for scientific and technical achievement in 2016. 

An innovative cinematic feat featuring the best global talent in the entertainment industry, Iravin Nizhal is redefining the Indian Film Landscape. As a result, the distinct project was one of the Bollywood films submitted to the 2022 Academy Awards as an official entry into the Oscars. Iravin Nizhal is currently streaming on Prime Video.

Aside from his revolutionary work highlighting the artistry of Indian cinema, R. Parthiban has been a gem of the Tamil film industry for nearly four decades. He is recognized for constantly pushing the boundaries to innovate cinematic storytelling. He now brings his vision to life through Iravin Nizhal, a passion project ten years in the making. 


Legendary Composer John Williams Announces He Will Not Retire from Film Scores

Fans of John Williams, the celebrated composer behind some of history’s most famous film scores, can breathe a sigh of relief.

Despite having previously stated that he would stop writing film scores after Indiana Jones and the Dial of Destiny was released, Williams has chosen to stay active in the field.

The 90-year-old composer, who has worked on scores for films such as Star Wars, Jaws, and E.T. the Extra-Terrestrial, had said that The Fabelmans directed by Steven Spielberg and Indiana Jones and the Dial of Destiny would be his final two scores. 

But on Thursday night, at a special event marking his 50-year collaboration with Spielberg, Williams revealed he doesn’t actually plan to retire.

Fans of Williams’ music, who have grown to value his masterful compositions and their capacity to enhance the emotional impact of a film, will no doubt be delighted by this news.

Williams has won numerous awards and accolades throughout his career, including five Academy Awards and seven BAFTA Awards.

It’s unclear what project Williams will work on next. But either way, fans can expect more of his iconic, haunting, and emotional scores to come out.With Williams’ talent, it’s unlikely any future films he makes will be hugely successful. There is no mistake.

The Fablemans, Williams and Spielberg’s most recent joint effort, is currently making the rounds during award season and can be seen by fans in the interim. It serves as a testament to their long-lasting friendship and the magic they can produce on screen when they collaborate.

“I’ll stick around for awhile,” he stated. “I can’t retire from music. A day without music is a mistake.”

Read also: Actor Tom Koch Performing A New One-Character Immersive Play In Manhattan

Reason Behind Williams 

In a recent interview, Williams said his longtime partnership with director Steven Spielberg was a key reason for his decision to continue working.

“One thing Steven isn’t is a man you can say no to,” Williams quipped, drawing a laugh from the director, who added, “I just found out he’s not retiring.” 

Williams went on to explain how Spielberg’s father worked at the Shoah foundation until he was 101 or 102, and joked that he has “ten years to go” to match the director’s father’s output and enduring work ethic.

Spielberg, in turn, acknowledged the importance of Williams’ contributions to his films, and promised to figure out what he’s directing next so that he can give Williams a project to work on. The director is currently developing a new take on the Frank Bullitt story, which was previously told in the 1968 film Bullitt starring Steve McQueen. Bradley Cooper has been named as the potential star for the new film.

With Williams’ commitment to continue working and Spielberg’s promise to give him a new project, fans can look forward to more exciting and iconic scores from the award-winning composer. 

Perhaps Williams will have the opportunity to score a car chase through the streets of San Francisco in his next undertaking.

Iconic Composer

John Williams is a name synonymous with film music. The composer has been behind some of the most iconic and memorable scores in movie history, including Star Wars, Jaws, Indiana Jones, and Superman, to name just a few. 

With more than 50 years of experience in the film industry, Williams has become one of the most respected and celebrated composers of all time.

Born in New York City in 1932, Williams began his musical career as a jazz pianist before studying composition at the Juilliard School. 

He later landed a job as a pianist for the Columbia Pictures studio, where he began writing music for films. His first major film score was for the 1962 film “The Secret of Santa Vittoria”, but it was his work on the 1973 film “Jaws” that really put him on the map. 

The now-iconic theme of the shark has become one of the most recognizable pieces of music in the world, and Williams earned his first Academy Award nomination for his contribution on the film.


Over the next few decades, Williams continued to compose for some of the biggest films in Hollywood. 

His partnership with director Steven Spielberg, which began with “Jaws”, has resulted in some of the most memorable scores in movie history, including “E.T. the Extra-Terrestrial”, “Jurassic Park”, and the “Indiana Jones” series. 

He also composed the music for all of the “Star Wars” films, from the original trilogy to the most recent films in the series.

Williams has been recognized for his work with numerous awards and accolades. He has been nominated for 52 Academy Awards, winning five, and has also been nominated for 48 Grammy Awards, winning seven. 

He also has received four Golden Globe Awards, and won four BAFTA Awards. He is also a Kennedy Center Honoree and a National Medal of Arts recipient. He is the third most Oscar-nominated person, after Walt Disney and Katharine Hepburn.

Read also: ‘Avatar: The Way of Water’ Enters the New Year as Top 1 Film

Spielberg Team Up

Williams has composed the scores for many of Spielberg’s films, beginning with their first collaboration on the 1975 film “Jaws”. 

The now-iconic theme of the shark has become one of the most recognizable pieces of music in the world.

The two continued to work together on some of the most iconic films of all time, including “E.T. the Extra-Terrestrial”, “Indiana Jones”, and the “Jurassic Park” series. Williams’ score for “E.T.” was nominated for an Academy Award and his score for “Schindler’s List” won him his fifth Academy Award. 

Williams’ score for “Jurassic Park” helped the film become a box office hit and was also nominated for an Academy award.

Their collaboration has also yielded the iconic music of the “Star Wars” series. Williams composed the music for all the “Star Wars” films, from the original trilogy to the most recent films in the series. 

The main theme of “Star Wars” is considered to be one of the greatest and most recognizable melodies in the history of film music, and has become synonymous with the franchise.

The partnership between Williams and Spielberg has been one of the most enduring and successful in the film industry. 

Williams has been able to perfectly capture the emotional tone of Spielberg’s films with his music, and their collaboration has resulted in some of the most memorable and iconic scores in movie history.

Photo: Capecod

‘Avatar: The Way of Water’ Enters the New Year as Top 1 Film

James Cameron and his blue brotherhood wish everyone a very happy new year with Avatar: The Way of Water, which has dominated the box office for the third week in a row.

The sequel to the highest-grossing film of all time did well, earning an estimated $63.4 million over the weekend, taking a domestic total of $421.5 million, according to Comscore.

It is currently just $16 million away from Black Panther: Wakanda Forever’s now eight-week total of $437.9 million.

With a global cume of $957 million after generating an additional $186.7 million, The Way of Water became the second highest-grossing international release since the pandemic’s start and the biggest international release of 2022.

Last Monday, Cameron’s blockbuster hit the $1 billion mark worldwide, bringing its current gross to $1.38 billion.

Smash Hits

Universal’s Puss in Boots: The Last Wish earned him $16.3 million in its second week of release, taking domestic sales to $60.7 million (his $129.5 million worldwide). 

Wakanda Forever, the third sequel in the top three movies at the box office, brought in an additional $4.8 million this weekend and $7.4 million internationally, bringing its global total to $818.4 million.

Whitney Houston: I Wanna Dance With Somebody, a musical biography, came in fourth place with $4.2 million and a domestic box office of $14.8 million. Internationally, it did a little better, earning $8.3 million, bringing its worldwide total to $27.9 million.

Damien Chazelle’s star-studded tribute to Old Hollywood, Babylon, which earned $2.7 million for a domestic haul of just $10.1 million, rounds out the year’s top five films.

Notably, no new films debuted in the top 10 at the box office this past weekend. However Tom Hanks’ A Man Called Otto debuted in four locations in New York and Los Angeles. 

The much-discussed dancing doll from hell horror movie M3GAN made $3.3 million in its overseas debuts in France, Mexico, and Belgium.

Read also: Greta Gerwig Says ‘Barbie’ and ‘White Noise’ May Be a Good Combo

Way of Water Surpasses $1 Billion

A winter storm blew across the nation this Christmas, but Pandora was pleasantly warm and cozy.

In just two weeks, Avatar: The Way of Water has already raked in over $1 billion at international box offices. James Cameron’s expensive follow-up brought in an estimated $56 million during the holiday weekend, according to Comscore.

The Disney and 20th Century film’s worldwide gross as of Tuesday stood at $1.025 billion after grossing $317.1 million in North America and another $712.7 million abroad.

After Top Gun: Maverick ($1.49 billion), Way of Water is now the second-highest-grossing film of the year, surpassing Jurassic World Dominion. Nevertheless, it took Maverick a month to surpass the $1 billion mark and Jurassic World Dominion over four months.

Top 10

Things were noticeably cooler for several of the new Christmas releases this year. I Wanna Dance with Somebody, the Whitney Houston biography, earned an estimated $5.3 million, while Puss in Boots: The Last Wish came in second with an estimated $11.4 million.

The old Hollywood drama Babylon, directed by Damien Chazelle, only made $3.5 million over the holiday weekend. That’s a gloomy statistic, especially considering that Babylon had a broad release in over 3,300 theaters.

Babylon features a star-studded ensemble that includes actors like Margot Robbie and Brad Pitt. Still, the film has received poor reviews, earning a terrible C+ CinemaScore from viewers and a 54 percent Rotten Tomatoes rating.

According to Deadline, Babylon must generate $250 million worldwide for Paramount to break even after budget and marketing expenses; this is a figure that looks unlikely to be achieved.

Read also: Most Awaited Films and Stars in 2023 and Top Oscars Competitors

Comscore says the following is the complete top 10 list for this year’s domestic Christmas box office:

  1. Avatar: The Way of Water— $56 million
  2. Puss in Boots: The Last Wish — $11.4 million
  3. Whitney Houston: I Wanna Dance with Somebody — $5.3 million
  4. Babylon — $.3.5 million
  5. Violent Night — $3.1 million
  6. Black Panther: Wakanda Forever — $3 million
  7. The Whale — $924,000
  8. The Menu — $671,000
  9. The Fabelmans — $550,000
  10. Strange World — $410,000

Debuts and Successes

This past weekend, moviegoers traveled to Pandora, earning James Cameron the top spot at the box office.

According to Comscore, Avatar: The Way of Water made $134 million in its domestic debut and another $301 million elsewhere, for a total worldwide of $435 million.

The sci-fi epic comes in third place among pandemic debuts, after only Doctor Strange in the Multiverse of Madness ($442 million) and Spider-Man: No Way Home ($600 million).

The first Avatar opened in 2009 and is still the most successful movie ever made. It opened with $77 million in the United States and Canada and held the top spot for seven weeks before rising to $760 million and $2.92 billion globally.

The film’s 3-hour and 12-minute running duration might put off repeat moviegoers, but it remains to be seen if the sequel will continue down that path.

“Equally important with length is pace — and the order of information and the engagement factor. As long as people are engaged, you’re good to go,” Cameron said. 

Cameron is certain that viewers will continue to be interested.

“I feel like we managed to jump through all those hoops,” he added. “People seem pretty engaged.”

Photo: Leawo

Greta Gerwig Says ‘Barbie’ and ‘White Noise’ May Be a Good Combo

Filmmakers Greta Gerwig and Noah Baumbach have spent the past three years working together on two seemingly disparate projects – White Noise and Barbie

In Baumbach’s White Noise, which debuted on Netflix on December 30, Gerwig and Adam Driver play a married couple whose town is in danger due to an airborne hazardous event.

Margot Robbie plays the title doll in Barbie, a film written by Baumbach and Gerwig and directed by Gerwig, which hits theaters July 21. Ryan Gosling as Ken.

Despite the two films’ very different sources of inspiration, Baumbach claims to feel a connection between them.

“I wrote White Noise, and then, once I had that in a place where I thought, okay, I’ve done a lot of the heavy lifting, Greta and I started work on Barbie,” Baumbach said. 

“So that was all sort of happening during that first year of the pandemic. They’re kind of connected in a funny. The execution is different, but there are aspects of the world of White Noise that actually informed some of how we looked at Barbie.”

“Everything got written in 2020. They very much feel like they came out of the same place in a way,” Gerwig said, adding context to Baumbach’s statement. 

“I mean, they physically came out of the same address. But I think it contributed, him working on that and us working on Barbie together.”

Would watching both films in a double feature be fun?

“I’m not going to pitch that,” Gerwig stated with a chuckle. “I’m sure if someone wanted to, it might be interesting. I don’t know. It could be strange. I can feel how they’re connected, but I don’t know if anyone else will see it.”

Read also: Most Awaited Films and Stars in 2023 and Top Oscars Competitors

No Barbie Appearance

After all, Saoirse Ronan never visits the Barbie Dreamhouse.

The Oscar-nominated actress has revealed that scheduling issues prevented her from appearing in the upcoming Barbie movie, directed by Greta Gerwig, who is also the director of the movies Lady Bird and Little Women.

“I was supposed to do a cameo because I live in London, and they were [filming] there,” Ronan said in an interview with PEOPLE. “There was a whole character I was going to play — another Barbie. I was gutted I couldn’t do it.”

Ronan said she’s been in touch with Margot Robbie, who will portray the titular Mattel doll and Gerwig, but she still wants to make it work.

“I have texted Margot and Greta, and I’m like, ‘If you’re doing any pick-up [shots], maybe I can just walk through the background?'” Ronan stated.

Barbie and Ken

Ryan Gosling, who plays Ken, and the musician Dua Lipa were said to have joined the ensemble group earlier this year, according to rumors.

Barbie and Ken will also be portrayed by America Ferrera, Kate McKinnon, Simu Liu, Ncuti Gatwa, Alexandra Shipp, Hari Nef, Issa Rae, and Michael Cera. At the same time, Will Ferrell will play the CEO of a toy manufacturer.

The movie, which opens in theaters on July 21, 2023, also stars Kingsley Ben-Adir, Emma Mackey, Ana Cruz Kayne, Rhea Perlman, Ritu Arya, Ariana Greenblatt, Sharon Rooney, Scott Evans, Jamie Demetriou, Emerald Fennell, and Connor Swindells.

“The aesthetic of the movie is just so vibrant and full of life,” Liu revealed to EW earlier. 

“Imagine showing up to that set every day with a bunch of friends, like, ‘Great, cue the music!’ We’re dancing, and then you come out of a 12-hour day, and you’re like, ‘Did I really go to work today? Or did I just hang out with my friends?'”

The Shang-Chi actor continued, “I can’t wait to see it all come together and for the world to see. Because I know there’s a lot of question marks! Everyone’s like, ‘What is this Barbie movie?’ When people say ‘Barbie movie,’ they feel like they know what it’s going to be like. 

“But with every casting announcement and the announcement of Greta Gerwig, I think we’ve been raising a lot of eyebrows. But without giving away anything about the script, I’ll just say that it’s one of the best things I’ve ever read.”

Read also: James Gunn Speaks Out on ‘Superman’ Recasting Backlash

Gerwig Movie First Look

Finally, a few images from Gerwig’s long-awaited Barbie movie match his blonde ambitions. Arriving in a pink convertible, Margot Robbie still looks glamorous but not plastic.

The first peek image and Barbie’s release date, July 21, 2023, were both tweeted by Pictures.

Initial thoughts? However, not every Barbie is an ’80s businesswoman making a crucial call, so the hair isn’t really giving “Barbie” as much as, well, “Margot Robbie hanging out.”

Furthermore, it’s too early to start choosing fault, yet I’m really hoping this movie includes a ’80s business Barbie.

Gerwig, who was directing Barbie and penned the screenplay with collaborator Noah Baumbach, will probably decide that.

Now, Gerwig and Baumbach, the creators of magnificent intellectual fare like Lady Bird and The Squid and the Whale, may not be the names you immediately identify with the most well-known fashion doll in the world and her extensive collection of accessories.

So, what may be expected? Robbie might drop Lady Bird out of that speeding convertible in a hot pink minute.

Ryan Gosling, who plays Barbie’s recurrently unemployed boyfriend Ken, will join Robbie, who also serves as a producer on the movie.

Will Ferrell, America Ferrera, Michael Cera, Simu Liu, Issa Rae, and Kate McKinnon are all featured in the ensemble cast.

Photo: Glamour Magazine

Actor Tom Koch Performing A New One-Character Immersive Play In Manhattan

Those looking to immerse themselves in a new theatrical experience this month will rejoice as Fire on the Moon, a New York-based production startup dedicated to helping musicians create quality promotional content and captivating performances, announced this last December the debut of the first installment of its new music-driven, walkthrough series entitled “Nighttime Stories: A Doomed Village”. 

A Doomed Village is a truly multidimensional experience that artfully combines all the best elements of live music, film and physical theater. The piece is directed by Nicolle Marquez and stars the leading man, and only live actor, Tom Koch. This series with the intention to inspire understanding and community through the medium of a darker, interpersonal narrative is coming to the Gene Frankel Theatre on January 14th. 

Koch, the 24 year old actor, originally from France, had his Off Broadway debut last April in the play Science written by the late Tom Attea. Since then Koch starred in several festival-bound dramatic feature and short films, namely the period film Terra Incognita, set right after the Sack of Baltimore in 1631, Koch played Irish a slave taken from his home by barbary pirates. He has also continued to find success onstage through leading and supporting roles in both Off-Broadway productions of Richard III and Port Chicago 50

Koch, who said in a recent interview, “I always wanted to mix film and theater, and working on A Doomed Village felt like exploring what this new medium could be”, will be challenged to lead the audience on an up close and personal walkthrough as they navigate a completely transformed Gene Frankel. The remarkable set consists of tight passageways and cramped quarters, limiting the audience both physically and thematically. Koch, who has experience with physical theater, movement-based pieces will shepherd the viewer along the linear storyline, all while interacting with holograms, projections, and short, filmed, vignettes. More about the actor here.

The twisted storyline takes place in a dark forest full of the unknown. The audience will find themselves in a bonafide cabin-in-the-woods where they will meet with Krem (played by Koch). A frightening isolated townsman with nothing left to lose, Krem is just one of the villagers of Mount Tumoe. As Krem assists the audience in the investigation of murder and corruption in the town, Koch will be using his expertise to transform into the multi-layered conflicted character. While his movement forward storytelling progresses expect a completely original score, composed by the talented Drew Storcks, accompanied by precision special effects designed by Reid Sullivan. 

It is sure to be a fresh and exciting production, unique in its composition and execution. A Doomed Village will open this upcoming Saturday, January 14th, and will hold performances every night through the 21st with a matinee on the 22nd (time slots vary) Intended to be more affordable for younger audiences (13+), tourists, and students, the tickets are priced at $20 each. For more scheduling information, or to buy your tickets now, visit fireonthemoon.co. 

CEO and Founder of Fire On The Moon, Astrid Lark-Peterson, had this to say about the Startup, “The Fire on the Moon project was born from a desire to attempt the seemingly impossible: empower musicians to sustainably self-produce their own unique shows that intrigue and allow audiences to see the creative concepts and stories embedded in their music come to life in an emotionally impactful and memorable way”. Blending the minds of six separate creators, it is safe to say that this piece will be a major accomplishment for the intimate production group. 

Director Nicole Marquez revealed that, “A Doomed Village is an offering, an amulet, a time capsule”. Marquez goes on to say, “We are celebrating the magic of storytelling, aiming to contribute to greater collective awareness of the human condition and trigger visceral responses that mirror the social imprint of this day and age. Whether you’re a fan of the performing arts or are looking for a truly one-of-a-kind experience to immerse yourself in, this show is the one for you.”

The complete list of creatives responsible for organizing A Doomed Village is as follows:

Nicole Marquez, Director. 

Drew Storcks, Composer.

Nino Amari, Scenic Designer. 

Reid Sullivan, Lighting Designer.

Astrid Lark-Peterson, Creator and Executive Producer.

Nick LaFalce, Producer.

Soundtrack by Astrid Lark-Peterson and Nick LaFalce.

Nodderly Media Production, Sound Design Partner

James Gunn Speaks Out on ‘Superman’ Recasting Backlash

James Gunn and Peter Safran caused a stir with their audacious plans for DC Entertainment, prompting reactions ranging from roaring to unfriendly.

Last week, fans were surprised by the news that DC Studios may be moving forward with a Superman movie without Henry Cavill in the title role.

This new direction is being explored by producer and studio co-president Safran, who was only appointed to his position last October. So, could we be witnessing an alternate take on the “man of steel”?

On Monday, Gunn took to social media to address a strong wave of online criticism following the announcement of Cavill’s non-involvement, though he didn’t specify who the argument was.

“One of the things Peter & I were aware of when we took the job as heads of DC Studios was a certain minority of people online that could be, well, uproarious & unkind, to say the least,” he tweeted. 

“Our choices for the DCU are based upon what we believe is best for the story & best for the DC characters who have been around for nearly 85 years. These choices are great, perhaps not, but they are made with sincere hearts & integrity & always with the story in mind.

Read also: ‘Avatar: The Way of Water’ Earned a Splashing Sum of $435 Worldwide

Gunn and Safran Won’t be Affected

He and Safran have faced worse odds in their careers than mere rants, but retaliation will never affect their behavior. The two individuals have taken a strong stand to stand up for what is right despite some opposition, vowing to remain resolute in doing so.

“We were aware there would be a period of turbulence when we took this gig, & we knew we would sometimes have to make difficult & not-so-obvious choices, especially in the wake of the fractious nature of what came before us,” he added.

“But this means little to us in comparison to our jobs as artists & custodians in helping to create a wide & wonderful future for DC.”

The upcoming Superman film, helmed by the director of Suicide Squad, won’t explore his inception. Instead, it will delve into a lesser-known chapter in Clark Kent’s life – requiring a new actor to take on the iconic role.

However, the filmmaker has expressed his admiration for Cavill, expressing a desire to collaborate with him on another future project. Unfortunately, the highly-anticipated Superman film is still shrouded in mystery – no further news has been released.

Cavill’s surprise departure stunned fans, particularly after his recent cameo appearance in Black Adam. His momentary presence stole the show, as only Superman could do when he met Dwayne Johnson’s dark antihero for a thrilling clash of wills.

Cavill sent a message to his devoted fans on Instagram: he was “back” as the much-beloved character and tantalizingly promised more information in the near future. 

Casting Role

In a monumental shakeup, DC Studios has recruited Gunn and Safran to helm their operations – the two will now serve as co-chairmen and CEOs of one of Hollywood’s most prestigious studios.

DC fans everywhere were enthralled when Gunn announced on Twitter that he was at work writing a new Superman movie. Plans are in the results to bring another actor into the iconic role.

Henry Cavill, who made his legendary transformation into Superman in the 2013 blockbuster Man of Steel and further cemented himself as DC’s caped hero with Batman v Superman: Dawn of Justice and Justice League, recently spoke out about plans to recast.

“The changing of the guard is something that happens. I respect that. James and Peter have a universe to build. I wish them and all involved with the new universe the best of luck and the happiest of fortunes,” he said.

DC’s movie universe is buzzing with excitement as the appointment of Gunn, and Safran has sparked speculation about what their new leadership will mean for upcoming films. Fans eagerly anticipate how these two acclaimed directors could shape DC’s cinematic future. 

Gunn tweeted that he and Safran have “a DC slate ready to go, which we couldn’t be more over the moon about.”

DC’s upcoming plans are set to be unveiled in early 2023, granting us a sneak preview of the thrilling schedule coming our way, Gunn added. 

Read also: Kate Winslet Talks Collaborating with James Cameron in ‘Avatar: The Way of Water’ and ‘Titanic’

Studio Plan

Additionally, Gunn recently had a sit-down session with Ben Affleck to explore options for collaborating with the studio on future projects.

“He wants to direct & we want him to direct; we just have to find the right project,” Gunn said.

Ben Affleck is stepping back into the cape and cowl to team up with Ezra Miller in The Flash

This week, Patty Jenkins set the record straight about her continued involvement with DC Comics – despite speculation that Wonder Woman 3 won’t be happening. 

She took to social media to dispel any rumors, confirming her ongoing commitment and dedication to telling heroic stories in the iconic universe.

Furthermore, she said, “there was nothing I could do to move anything forward.”

Meanwhile, Gunn wants to reassure fans about his future plans for the studio. 

The DC universe could be in for a major shakeup, as The Hollywood Reporter predicts significant changes on the horizon—including Gal Gadot’s potential departure from her iconic role of Wonder Woman. 

Gunn skyrocketed to fame for his captivating direction of Guardians of the Galaxy, becoming one of Marvel’s leading superhero directors.

After helming the widely-acclaimed Guardians of the Galaxy Holiday Special, Gunn is now set to bring us one final mission from Star-Lord and his misfit crew with next year’s Guardians of the Galaxy Vol. 3

But first, he has some exciting projects lined up on DC’s front – including Peacemaker starring John Cena, reprising his role as seen in The Suicide Squad.

Photo: Fansided